“Good Boy” Helmer on Triller with Stephen Graham, Andrea Riseborough

“Adolescence” of the star Stephen GrahamOscar Nominee Andrea Riseborough (“Leslie”) and Anson Boon (“1917”) Lead Twill Thriller “Good Boy”, debut in English from the Academy of Academy Jan Kabasa (“Corpus Christi”), which prime ministers 6 September in the central part of the upper INTL. Film festival.

The film Stars Boon AS Tommy, a 19-year-old hooligan who wakes up with a full-day band in the basement of a strange advertising home, tied with a chain around the neck. He soon learned to hold him well to Chris (Graham) and his neurotic wife Kathrin (Riseborough), a non-functional couple whose forced rehabilitation was designed so that wild children turned Tommy into a “good boy”.

The seat of the screenplay scenario of Novogor Bartek Bartosik, together with the British writer and film Nakkash Khalid, the film marked by the loan whose loan includes the “suicide” Christi “” Christi “Christi”, which credits “Christi”.

“With all I did, I’ve never been in the absurd area,” says the director Variety. Describing a good boy “as a” thought combination of genres “, adds:” It may be once. Or maybe she changed my DNA and opened something new. I don’t know. “

“A good boy” produces Jeremy Thomas, Eva Piasskovska, and Jerzi Skolimovski (“EO”), a legendary Polish film film that describes Komasa as a “role model”, and stated that launches her last project.

He was Komasi with a scenario for the “good boy” in 2019, while the director was in LA during the Oscar campaign for “Corpus Christi”. Komasa says that it is immediately drawn into the story of the bad crowd “detoxification from the culture of rubbish”, finding something of the famous and characteristic “central and eastern” in its “bitter and eastern Europe” in the moral gray sense.

“I was thrilled. I’m great. I loved it,” he says. Once she read the script, he added, he couldn’t put it down.

Originally written in Polish and set in the world of warrior football hooligans, the film is adapted to the English environment to make everything universally attractive, according to the director’s words. It was recorded in Warsaw and Yorkshire, England, not far from where Emily Bronte wrote “Vutreing Heights”, although “good boy” offers a decisively different story about a young man who entered a well-landing family.

“The whole bow is infused by this study of moral gray groups and changes if you make one decision on another,” Komasa says. “What happens to your soul? Or even we have a soul? Where are we? Where does human start and end?”

Although the “good boy” means the first function of the Polish director to hit the screen, he was actually shot at the heel, “anniversary”, “anniversary”, who will publish Lionsgate this O’Brien.

Although it could be tempting that career moves as a step worse than the field of Polish cinema, Komasa insists that they are only a symptom of its restless energy, “knowing it is not all I do not find the way to the screen.”

“I treat movies in English as just another field where I can look back and find something interesting to share with viewers,” he says. “I don’t treat it as a next step in ladders. I feel like a tourist with a backpack. I’m just running around, excited to discover new energy and ideas.”