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The Philippines‘ KCINEMA Project market (KPM), an industrial wing of the International Film Festival Kcinema, presented its setup of 20 selected film projects for its third edition, elected 71 submissions in Southeast Asia.
The sending consists of 12 projects from Philippines and eight from neighboring countries, which shows what organizers describe as bold voices, characteristic genres and globally resonant stories.
Several Alumni KPM already gathers on the international round. Malaysian Auteur Vo Ming Jinov “Fok King” was appointed World Prime Minister at the Toronto Film Festival this month, emphasizing the market role as an incubator for global competition works. Alumni also includes Duong Diuu Linh “Do not cry, butterfly”, winner of the Grand Award in Venetion Criticism “and Loeloe Hendra” story about the country “, which deserved the FIPRESCI award in Busan.
“KPM is not just a platform – it’s a bridge,” Kcinema industry head Liza Dino said. “Connecting stories about Southeast Asia with a wider world, we give movie marks visibility and access that they need to ensure funding, partners and distribution.”
Regional projects include different genres and themes. Singapore is “Penumbra”, directed by Russell Morton and produced Sophia Sim and Jeremi Chua, accompanies a man in a run with floating fish farm without escape funds, where the escape is encountered. From Thailand comes “Ray Light Numbenchapol” Rai light “, appointed in the stylean film film after the 1960s Glamor, where the actress like a doll star and invisible light formed a forbidden relationship.
Cambodia “Romdoul, Večernji odor” directed by Lomorpich Richi, a intertwined story of three generations of Cambodian women in the country and further haunting with war and silence. Singapore is 11. Life of the minutes of fantasy “Weird root”, directed by Lam Shuen and Mark Chua, has an Iam-born Demigod dropped aside the shoduloma beasts to be an outdoor shod. Malaysia is “willing” from the director of Joon Goha, followed by an Indonesian migrant teenage forced into underground struggles and the school trapped by its volatile mother who is in each other finding a shrine.
Thai “spirit of electricity”, directed by Patiburn Bootarig, centers on a man returning to the village of Mekong Riverside after the flood, where the villagers blame the vindictive disaster river. Vietnam “River knows our names,” directed by Mai Huion Chi, explores life on the undocumented floating houses of Mekong through the desire of a girl’s birthday. Myanmar is “when the world paused”, from the director Han Thit Htoo Aung, has been covered in 2019. until 2025. years than sin is falling into a coma before he admitted his feelings for Niein and must find a waking up.
Philippine slate shows the variety of film in the country. “Luzonensis and Floresiensi” Glenn Barit “is two prehistoric migrants as workers of migrants in the country of coin. And onie” Fans of the two-star, family and collapse of the system. CARL Joseph E. Pope “Sentinel” connects five lives facing five lives Fears and loyalty, as a member of the Student Newspaper threatens to exhibit dark school secrets.
Jopi Arnaldo “Komikkk” Couples Two Philippines on a break from its Japanese film – director who seek to set the stars in “serious” films – which connects to make erotic comic. Sam Manaca “The void is huge in idle empty hours” follows 19 years of rosemary, the only witness of the young boys, because it is looking for a child of desperate Mother Agnes.
Tyrone Acierto is “what’s left of us” represents a couple and their chronically a sick daughter who fights to stay healthy in the crashed world who consumed plague like dementia. Dominic Bekaert’s “Tata Cool” took place during Martyrating law in Manil’s discs, as a woman in his career is in the seizure of love and jealousy with her female boss and their common gigola. Dodo Daiaov “Dear Garmwood” interferes with the peaceful lives of four mountain women faith with the arrival time travel spirits bringing the world to the end.
The day of Villegas’ “Amateur” follows the growing basketball star facing the rush when he improves him into the game in Manilo’s betting. Dean Colin Marcial “Jaguar” follows the lonely protection that does the night shift that becomes the only witness of the murder in his building. Arjanmar H. Rebeta’s “exists, there is no” centers in aging gavfer looking for its missing son in the city where cocktail cocktails are intertwined by political power as well as the eruptions of taal volcanoes. “Jollivood” “Jollivood” shows the family fight against community demolition in which residents believe that tiktok and American guys respond to poverty, but 10-year-old dreams of better life.
The initiative also supports the efforts of Cuezon Citi cultural diplomacy, enhancing their Filipine’s film status and strengthening their offer to become a UNESCO Creative City of film.
