The Diego Luna manufacturer unpacks Venice on the road ‘on the road’

Sex, drugs and large equipment are significantly in David Pablos’ film “on the road” (“En El Camino”), which premiere 4 September in the Horizons section Venice Film festival. Variety Debit a trailer in exclusivity and speak with Pablos and “Andor” star Diego Lunawhich is one of the producers of the film.

Drama follows Veneno (which Game Non-Pro Victor Miguel), head of a young driver surviving seducing truck drivers on 24-hour native boards tube. Eager to escape, he crosses the paths with Munekom (Osvaldo Sanchez, Pedro Paramo “), guarded long trucker holding others on a manual length. Muneco reluctantly allows him to mark it through a robust, hyper-male world of the North Mexico highway. As unexpected forms of their closeness between them, Venen’s problematic past begins to compensate for him – putting both lives in danger.

The trailer (below) introduces its lead characters in the hermetic world of long weights while persuaded in immediate danger that will change their lives.

On what he decided to board the film, Luna said, “I found it very powerful, we are not even aware, where we don’t think about all her wealth and complexity. I can’t really compare this movie.”

Luna credits the producer of the film Inna Paian at Animal de Luz (“La Jaul De Oro”), his fifth director, “Preniza en La Boca” (“Preniza in the mouth”, “price in the mouth”). Inclusion in “on the road” meant a lot to him, “I like to produce and love to see the process of others. And David’s process is pretty enriched to watch.”

Pablos states the book “Los Hios del Camino” (“Sons on the road”) documentary Jose Maria Castro Ibarra as the main source of inspiration for the film. “He wrote a book after spending years traveled through Mexico with truck drivers and visits tube across the country. The book is much about social dynamics among truck drivers, a nomadic way of life and relationships developed in tube– Because many of the women who work there form emotional relations with drivers, “connected to Pablos.

“And I have to emphasize, not everything tube Include drugs and prostitution, but many do it. Much tube Drug cartels are controlled or have agreements with certain cartels. Not everything, but much. Thus, the lives of the truck driver at various points across the country was assessed. I read his book, reached for him and we had several deep conversations. He was very generous in demining his insights. After that, I used his contacts to address the truck drivers who, when they believed me, would open. Initially, they can be slightly reserved, suspicious even because the world trucker is very closed. But once they open, it will tell you everything, “he added.

If his mainly non-pro actors met, they met with more truck drivers, but they still performed in the same question – or they would not appear or would reach late. “So we had to limit our phenomena in certain moments in the film, in the periphery of Ciudad Juarez,” co-operated centers, “associated with his director of the construction,” to be considered that it was considered that He fully abolished his director’s reception, “associated with his cast ironing director, in order to speed up his director for construction to develop a strategy.

The preparation of his mainly non-pro actors lasted for months of preparations, because he worked closely with Patricia Ortiz, who was also a coordinator who is a witty coach and intimacy.

“The Theme of Masculinity runs through start to finish. There are many moments Where there’s a Machery of this Hegemonic Masculinity, and Because of That, I Was Clear That There Were Certain Scenes, Especially Those Involving Sexuality And The Those Involving Sexuality and The Relationships Between These Cattle Cattle Broken. It Had To Be The Complete Opposite. If It Needed To Be Shown, I Had To Show How Sexuality Is Expressed In The Aesthetic Of The tube“Said Pablos, which added that prosthetics was not used.

Despite or due to hyper-masculine film, he decided to work with women’s cinematography of Ximenna, which is known from his film days and designer Production of Belen Estrada.

“When I first sat talking to Belon, I knew it was just because of her vision for the film, but because she realized these worlds and realized tons and realized the tone,” the tone realized.

Luna said about Amann: “The way she caught the landscapes, patience with light and how it is incredibly thoughtful. There is no approach in its approach. She is very economical in her approach. She is very economical in her approach.

When we talk about the line in his films, Pablos reflected in all my films, and specifically, I’m with the north, with an incincidence in the north, with an incentive, with an incentive. He was very insufficiently represented, at least so far. “

He added: “In addition to family and father, I also have an uncomfortable stories. I’m always in those neglected spaces that can cause discomfort that can cause discomfort that can cause discomfort that can cause Uneases that can cause discomfort stories that can cause discomfort that can cause discomfort that can cause discomfort that can cause discomfort that can cause stories that can cause discomfort.

Aside Electricity BayThe company founded by Luna and Gael Garcia Bernal, the second co-productions of the film are Mexico Ano Bisieste Prods. and Maestros do. The raft of private companies that attracted the Mexican Incentive for Epfina is also financed. Luna, Paian, Luis Salinas and Enricue Nava are manufacturers.

“On the way” is played next to Morelia Film Festival After Venice. Berlin M-appeal Handles international sales