‘Weapons’ impressed as summer frame remains flat: daily variety

The apartment is not new above when it comes to the summer framework.

This year for the crucial Mai for September in September came to 3.67 million dollars, such as Brent Lang, Variety Executive editor and long-term chronicler BO, details on the latest episode of podcast “Daily Varietti”. That’s about a couple in the summer of 2024, and that’s not a good thing because this year’s summer films was much more robust.

“It’s pretty disappointing because it was expected that the slate was very strong, you had a” Jurassic “movie” to be able (summer bo) to be able to (adhesive bo) could actually hit or even and ecliped $ 4 billion “.” We have done it in 2023, where you had Barbenheimer. ”

Hollywood studios must pay attention to the change in the wind and taste of regular films, Lang says.

“What happens is Hollywood to see the decreasing interest in some of her honorable franchises. And that’s a problem. You see some flavors that really move,” he says. “Moving in this summer idea that” Lilo and Stitch “would be the biggest number of years or that”Weapon“It would be a big goal or, that” Jurassic world “would end the redistribution of” Superman “and” Fantastic Four “. I don’t think anyone to predict.”

Also in Episode, Peter Debruge, main film critic VarietyWorks mood, vibrations and bruce everything Telluride Film Festivalwhich just wrapped its traditional four-day work hours. There was a large rock ‘n’ energy of rolls at high height this year, because the SCOTT COOPER is the CEO of Bruce Springsteen, “Springsteen: Springsteen: Springsteen: Springsteen: Springteen: Springsteen: Springteen: Springsteen: Springteen: Springteen “Nowhere. “In terms of Debruga, white collected the task.

“It’s really great. It’s cunning because Springsteen doesn’t look like it’s so American. It’s probably a 20 actor who could sing songs in which I could sing songs in which I could sing songs.

The drgruge is also powerful impressed by “Hamnet”, the latest of Helmer Chloe Zhao. The focus contains a film around relegation to William Shakespeare and his wife Agnes from the death of their son, who was appointed Hamnet. Zhao “arrived in the deepest part of the soul and pulled out this film,” Debar says. “The film is about the loss of Shakespear’s son and influence that he has on his parents. Jessie Buckley is just astonishing. It’s a really cathartic experience. I’m giving myself goosebumps remember me feeling in that room.”

(Picture: Jeremi Allen White At Telluride)

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