Sabrina Carpenter Brani Album ‘Man’s Best Friend’ Art from Return

Sabrina Carpenter He constantly unpacks the shade behind her latest study effort “The best friend” of a man. “In conversation with Mel Otelberg InterviewThe carpenter sent the background she received when she first shared official cover for the record.

“You can be sure anything I do and say that a little pleases”, said the carpenter said about the album name and his harmonized paintings and his knees, distracts her blonde hair. “If I’m fully transparent, I’m not going to be a reaction. I just do things to me, it was so clear. So that was clear to me. So that was clear to me. So that meant it.

Since the record, the carpenter continued, “For that’s a lot of shades and I’m not naisibly about it.” Earcate at the central topics of the album, she described the project to talk about “loss and heart and celebration and trying to move their life as a young woman,” It’s not all that, but I’m not below that. “

Othenberg reveals the idea that a backlash carpenter was received due to her appearance “submissive” on the cover of art.

“The submission is also dominant and submissive,” she replied. “It really depends on what your intentions are and what you want, and what you want, and what you need, but I see it, but I’m sure other people like other people?

Anotherwhere in a piece, the carpenter talks about taking the album in London, New York and Los Angeles, pointing out the main collaborators of sets – Jack Antonoff, John Rian and Ami Allen.

“It was just the four of us and a lot of fires,” she said. “There was a steady smell of smoke in the air, but it was a lot of that I felt just hugged and I was in my head. They are also those who work and John. They are also Jover. They are also those who work and John. They are also those who also work. They and John are. They are also those who work and John.