Chile gets Venice in focus, discusses co-produces

After the main prizes of the Festival, he also wins Berlin (“Blue Trace”) and Cannes (“Mysterious Flaminga”), Chile He landed in Venice with a strong presence, with a short “mermimundi” in the Section of the Horizon and the Ministry of Culture, Arts and Heritage in the country and heritage by positioning Chile as one of this year’s spotlight in the Venetian sidebar.

Подржано је да присуствује више од 20 продуцената, а изабрано је пет чилеанских пројеката за тржиште финансирања ГАП-а, што само признаје да су само пројектима који су достигли најмање 80% њихове инвестиције, као и представљање снажног уметничког потенцијала (види снажне уметничке потенцијале (види велике уметничке потенцијале (види пуној уметничким потенцијалима (види пуној уметничким потенцијалима (види пуној уметничким потенцијалима).

During Venice Production BridgeCinemachile Coenergetor Alexandra Galvis hosted a conversation with a renowned producer Giancarli to Nasi Santiago and Quijote Fijtote in Kuijote, to discuss the current state of their national cinema and the potential of co-production.

“We didn’t want to talk about the lists or information that can be easily found online,” says Galvis Variety intentions behind the conversation. “What we really wanted was to explain how our manufacturers can create completely different means that the country does not provide, but is a type of talent to work and cooperate with the same power as the chillean films.” It is achieved that Chilean movies on the global phase on the global phase.

Commenting this focus on creative production models as a way of reinforcing the international profile of Chile, Galvis says that, in its core, all about “strategies”.

“(It is about) how to produce more countries, how to progress when only minority funds are available, how to cooperate with film industries in languages, we don’t even talk, how to find out in challenging contexts,” she added. “(It’s) the concept of thinking outside the box. For us, it is a great thinking outside conventional boundaries, and to travel without relying on large budgets, but for ingenuity that allows us to be strategically in the field of co-production that allows us to strategically.”

Through his clock of a long conversation, the Mascaro Silver Medved Gabriel, “Diego Cespedes’ was sure of the main winner of the” mysterious glance “mysterious glance” and Felipe Galvez awards “and Felipe Galvez”. “All three projects were an ambitious co-production, model Quijota Films was employed for all 25 feature films produced in the last 14 years, made in cooperation with a huge 23 countries, including unlikely partners such as Taiwan and Ukraine.

Our own said Chilean films creates co-products “out of need”. “Chile producers look abroad that they are abroad, because it is a Chile that does not produce so many movies. We are probably 30 to 40 years a year, less than Argentina, Mexico, Brazil …. But we always stand out in international film festivals.”

“We are a small country that also has an economy that is very open to the world,” he added. “It affects the rules of our fund, which is very liberal and very flexible.” At that, our chile offers various different production frameworks, including a program for majority foils for most Chilean production and a special co-production feature of $ 120,000, which can be spent anywhere in the world “without costs and obligations.”

Our particularly commendable for this second. “If you have a film in co-production with Ukraine, you can log in to the fund and send $ 120,000 in Ukraine for a recording. It helps, because you have a post-production in Europe, but there is not enough money to take a movie.”

Another question, the veteran manufacturer offered two key film charging tips: retention of full power decision and do not give cooperation between partners exclusive rights to their territories. Since the first, ours said it was a vital strategy to read the main decisions and avoid chaos as well as the protection of the director (“If you make an ambitious film, you cannot have eight bosses”). As for this last, the manufacturer emphasized that it does not make sense to “work hard for eight years to get the best territory in the world”.

“It’s a strenuous discussion, because the old school producers are a very evening that the strategy not only uses all financial partners, but it also helps investing in capital from American and UK from Split, because it is separated that it is separated to be separated.

And in the end, the producer reiterated not to feel that it should “make only chilean or Hispanic movies”. “I feel that the whole world should work together. If you may tell you that it will tell you that it will tell you that it will tell you that it will tell me that it will tell you that it will tell you that it will tell you that you will tell you Say it will tell you it will say it will tell me it will tell you it will tell you that it will say that it will do it. “

Here are Chilean projects selected for the Fund Financing Market:

“Dog legs,” dir. Matias Rojas

Tagged as a boy about a boy who becomes “Latin American Minotaur”, this genre film says about the boy who was born with a strange condition: from the waist down, he’s a dog. His life changes when Carlos took him, a man who just lost his son and who would fight to integrate his new child into society. The Chilean actor of Alfredo Castro (“El Caste” is known. Produced by simple films of Vista and Rhaiuela in co-product with clinker movies.

“People still die of love”, dir. Fernando Guzzoni

This is Guzzoni’s tracking until 2022. year “Blankita”, which won a silver lion for the best scenario in Venice and was official reporting Chile for Oscar. “People are still dying of love” is a dystopian drama in the modern key of satire, which is put into a “delirious trip to” boundaries between reality and virtual world starts blurring “after they accidentally kill young Hitman on the street. Produced by copyright films in co-production with redrum (“Bardo”).

“To die on my feet (stopping stand),” Dir. Maria Paz Gonzalez

Cruz is a professional medical actress that teaches empathy to future doctors, but it starts to lose its accompanying tragedy in real life. When ai threatens her job, she joins her colleagues actors fighting invisibility and loss of human affair. “Die on your feet” whether Gonzalez’s functional monitoring of “Lina from Lima”, which is premiered premiere prime. Produces Quizes of films in co-production from Amore Cina, Tarantulu and Bocacha.

“Drifting images,” dir. Nicolas Tabilo

Tabilo’s feature film debut is a hybrid autobiographical essay on the director and her mother moving in sadness, work and memory after losing family. It is held in the ruby ​​of the vineyard while Matriarch considered whether he should leave her work in fields, the fields turned into the stage to remand identity, kinship and cinema as a space of care. Produced tabilos.

“Snake cuts,” dir. Ana Elena Teyer

Debit’s multidisciplinary artists Teyera, “Penkuyaco”, premiered premiered in Rotterdam and represented Panama Rewards Goya. Its monitoring was set in 2000. year, as the Panami soldier first enters the zone of the American occupation, he introduces a mysterious woman in the jungle, which helps him reveal the hidden history of displaced communities with a hidden history of communities. The Cinematograph in Earvig was attached to Jonathan Rikuebourg and the “sound of metal” composer Nicolas Becker. Products of mestizo and fulgurances in co-production with Capicua films.