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“After us,” the ecological thriller created by Louis Aubert and Matthie Bernard, the group of angry young activists who decide to make their companies forcing their companies to really commit to environmental protection.
Series with six parts, produced by Les Films du Cigne and Story Television for French television and Germany ZDF and distribute equally MEDIAVAN RIGHTSmakes its market debit on Unifrance Rendez-Vous In Le Havre. The series was produced by a German favorite image, continued PROD in Belgium and Europeans Public Initiative for Broadcasting New8 (of which ZDF is partner).
Speak with Variety In front of him, Aubert and Bernard, the director of Franck Brett and Manufacturer of Aleksandra socks and Nicolas de Saint Meleuc talks about making series, the impact of climate change and fixed lines between activism and extremism.
“Our intention was to make a series of climate change, which is very difficult to do, because, for most people, it is a problem for the future,” Aubert explains. “We wanted to say with this series, it’s a problem today. We can see that, due to climate change, there are fires, heat waves and floods, but also tension in society and especially between generations.”
Therefore, the idea was born to “talk about this young generation trying to do something because they have the feeling that the boomers do not work enough.”
The first episode was very very filmed by anger they feel young for a hearing towards climate change.
“This anger exists and we want to talk about it,” Aubert adds. “It’s a starting point, this anger. But what is important for us is to say no solution and we need to argue with each other; we don’t have to fight each other; we don’t have to fight each other; we don’t have to argue.
In fact, while protagonists see their motivation as an existential – to save the planet – series also explores their individual backgrounds and what is actually a vehicle to join the group, Saint Meleuc is added. Saint Meleuc is added.
The series deals with “fear of young and lack of a positive perspective and what can lead to” Bernard notes. “This is the first generation whose radicalism is manifested in order to bring a better world, but hoping to preserve our own world.”
The story also received a fixed line of passionate activism and terrorism, balance that represent main challenges, but also a great dramatic potential.
The blurring of that line “is the reason why the show is interesting,” Aubert Note. “Of course, you want to like them because they are idealistic. Everyone thinks they’re right, but they’re doing something wrong.”
There are also parallels with seemingly unscrupulous corporate directors. The story is agreed as it takes place and in the end everyone faces the same problem, Aubert adds.
“There are no bad buying or good guy in the story, noting that the spectators will make it very bad, even if they were challenged,” Brett “, noting that glumers will dispute the fact that the protagonists will perform a very bad thing. “That’s exactly what we love in the show.”
That Condundrum also stressed that creators initially throw the project, Charlet remembers. “We liked to say that (that) we ask our reason, our morale and our ethics.”
Aubert adds: “It was very interesting to write a series about people who work something wrong for the right thing. I think it was the same for actors and I think it connected us together.”
“And we love to say and that it is not a true story … Still,” Charlet tightened.
Cross-border range of series, including the role of international oil, chemical and financial corporations in the climate crisis, is likely to attract strong global interest. Indeed ZDF was the first broadcaster that boarded the project. In addition to French talent, including Leo Legrand, Gael Langouet, Mateo Paitel, Spanish and British actors in key roles, Beno Furmann, Catalina del Rosario, Attenborough, Alva Schafer, and Pauline Polsmann.
“From the creative point of view, it was obvious at the beginning when we started thinking about the show, that we could not discuss the whole of Europe, because the issue of climate change has no boundary, “Aubert records”, “Aubert records.” And now it became universal. “
“After us,” was shot in the France Vivid region of Auvergne-Rhone-Alpes, including locations in and around and around the Gresivaududan in Ishere, Gornja Savoie and Lion.
