The ‘poet,’ ‘they will be dust,’ ‘monster’ the above prizes

Colombia Meat Simon continues to charge more post-Cannes Laurels, winning the best function at 21^ul Santiago Int’l Film Festival (Sanish) In Chile, who held the closing ceremony of 23. August.

Meat also rewarded award for the best director for the best of the best, Helmer “They will be dust. “

Sanfic’s international jury of competitions, made up of Helmer Mariana Rondon, the Founder Bernardo Bergeret and Chilean acting Mariana di Girolamo, greeted the crisis for its “ability and courage to transform a sharp, a more spiteful expression, reflective and noble expression.”

Since the introduction of the Jury Awards at UNES in Kannes is determined in May, “Poet“He also conveyed to the Peru’s Film Festival earlier this August, where he inserted four awards, including one for her non-PRO lead by Ubiamar Rios.

Chile’s Alfredo Castro and Spain Angela Molina has won ex Aecuo performing in “they will be dust,” but torn the platform in Toronto, where they play long married couple of wives.

Among Chilean films in competition, Patagonia-Set “south of winter, lies snow,” Marking debut from Sebastian Vidal Campos, realized the best picture. The jury, which contains Chilean Manufacturer and Academic Paulina Obando, European Film Market Jana Wolff and Spanish director – Carlos Markues-Marcet, He praised that for his “ability to take advantage of cinematic language and create a unique atmosphere through which he reflects the relationship between life and death.”

Rondon’s “Zafari” snagged two awards, especially mentions and reward for performance for his lead Daniel Ramirez.

For his job, Silvina Schnica called “La Quinta”, for his “Master’s command for all aspects of the film, and the parts for parts, and approached formal risks without sacrifice, even the smallest degree of emotional expression,” the jury said.

“This year’s selection comes from a careful and thought to highlight the diversity, Bold Storytelling and Creative Style of Today’s Cinema. We’re Proud to Have Presented Films That Not Only Explore Important Social and Cultural Issues, But Also Push The Limits of Film as an Art Form, “Festival Director Carlos Nuñez Told Variety. “Each selected film offers a unique voice, a fresh point of view and an artistic proposal that adds a conversation and amplifies the experience of the audience, “he added.

In the meantime, Chile Samantha Copano and Florence foam was “Futura Licensia” beat more entries to win the best short with university that considers a driver’s license as his card to complete independence.

Sanfic Industria

Among the numerous awards in the Festival industry in the Festival industry, Sanfic Industria, Brazil “Monster (or) how to cut the heart,” (O-Mastro “) Helena Guerra, took home three prizes, mostly in the Ibero-American VIP section.

Given its extremely low budget and the fact that no public or private funding for his post-production, which said that Giurra, who said that everything was posting post, and that the awards with Sanfic approached the film. Among its awards are awarded for desired Yagan movies that promises to be post-production sound work in price of about $ 10,000 +.

“This release has really surpassed the previous issue, which will mark our next edition,” said Sanfić Industria Head Gabriel Sandoval, adding to strengthen the Ibero-American and Chilean audiovisual sector and build links with international platforms. ”

She also pointed out her new space, a Queer Incubator, who expressed “great success … We will continue to add international partnerships to further promote the variety of this content.”

Fran Beethoven’s “Bustamante”, won the greatest award in the Cueer Incubator section, the first cash prize given in the Sanfic industry, thanks to his new cooperation with the Netflix and his Creative Equiti Fondom.

Sanfic Industry Ran has stopped the festival over 17. August – 22 while the festival was wrapped on Sunday 24. August with several projects in different cinemas.

Sanfic introduced Korparte in Fundacion, manufactured by the Media Story, which manage co-funders Nunez and Sandoval and co-financed Chile’s Ministry of Culture, Arts and Heritage.

Winners Sanfic 2025

International competition

The best movie

“Poet”, (Simon Mesa, Colombia)

Special mention

“Rune Simi” (Augusto Zegarra, Peru)

Best Director: From Capital

Simon Mesa, “poet”

Carlos Markues-Marcet, “They will be dust.”

The best performance, ex aecu

Angela Molina, “They will be dust”

Alfredo Castro, “They will be dust”

Chilean Film Confection

The best movie

“South of winter, Lies Snow” (“South Winter is Snow”, “Sebastian Vidal Campos)

Special mention

“Zafari” (Mariana Rondon)

The best director

“PETA”, (Silvina Schnica)

The best performance

Daniela Ramirez, “Zafari”

Special mention

Patricia Cuiul, “What was not said”

Sanfic Industria

IberoAmic work in progress (VIP)

In the Malaga Reward works in a reward

“Bagman” (“Valero”, Stephen Trivison, Argentina)

Yagan

“Monster (or) How to cut the heart” (“O Mustra,” Helena Guerra, Brazil)

Chemistry Award

“Africa Express” (Emilio Guerrero Alexander, Mexico)

International Festival of New Latin American Cinematography of Havana Awards

“The night is a farce” (“The night is directed by fraud,” Lucas Veglinski)

Latam Cinema Award

“Blood Red Nails” (“Red Blood Nails”, Roberto Doveris, Chile)

Manticor Award

“Machitos” (Jesus Rodriguez, Mexico)

Atom group

“Black Cocaine”, (“Black Cocaine”, Cristobal Valenzuela, Chile, Uruguay)

Link

“Black Cocaine”, (“Black Cocaine”, Cristobal Valenzuela, Chile, Uruguay)

Good movies

“Africa Express” (Emilio Guerrero Alexander, Mexico)

Sound script

“Monster (or) How to cut the heart” (“O Mustra,” Helena Guerra, Brazil)

Sapcine

“Monster (or) How to cut the heart” (“O Monster,” Helena Guerra, Brazil)

Queer Incubator

CREATIVE EQUITI NETFLIK CREATIVE FUD Award

“The Bustamante,” (“Los Bustamante,” Fran Beethoven)

Maguei Award, Guadalajara Film Festival

“Medium leather,” (“in the skin of the reptiles,” Noa Leporati)

“House of Mother”, (“Mom’s House”, Jeure Tavare)

“The Bustamante,” (“Los Bustamante,” Fran Beethoven)

“Numb” (“Point Dead”, Lorenzo Dieguez)

“Against blue network,” (“red v. Blue”, Picture of Salas-Roman)

“Anonymous romance,” (“Anonymous Romans”, Andrea Tudela)

Santiago Laboratory Fiction and Documentary

Marketing movie runner

“Lost Children”, (“Lost Children”, Enricue Medrano)

Scripting

“Realism after revolution” (“Realism after the revolution” Sebastijan Pereira Covarrubias)

“Bad light”, (Paula Martel)

Lh coach

“The art of losing time” (“the art of losing time,” Camila Toro Cortez)

Documents MX

“Sonny Shire”, (“Children in the Region”, Juan Manuel Bugarin)

Malaga Festival Industry Award (Mafiz)

“Latitudes,” (Pablo Malek)

Guadalajara Film Festival Prime Department

“Yes I die because I don’t die” (“I’m dying because I’m not dying”, “Felipe Carmona)

New look – EICTV award

“Witches of Islands”, (“Witch Island”, Crisfel Jimenez Contreras)

New prospects, EICTV

“Witches of Islands”, (“Witch Island”, Crisfel Jimenez Contreras)

Sanfica Soft Laboratory

Fantastic pavilion prize

“Sunvard Damn”, (“Road to Sun”, Jorge Leiva, Mexico)

“The Eastman,” Mauricio Leiva Cock, Colombia, Mexico)

“Cloudy”, (“Send me storms, Julio Hernandez Cordon, Mexico, Colombia, Spain)

Make and Cinematographic Project Mail – Sapcine

“Sunvard Damn”, (“Road to Sun”, Jorge Leiva, Mexico)

Series

Conecta Fiction & Fun

“Craft of thieves, (” El Internacional “, Hernan Caffiero, Chile)

Series Mania

“Amin, Barbara,” (“Gospel towards Barbarian, Luciana Porchietto, Argentina)