Hangout Doc from the Living Legend

After years of retirement and general loneliness, Kim Novak He returned to the public eye as a presenter in Oscars in 2014. years – Welcome surprise for classical film bales and malicious trials for tabloid media and social media, including one Donald Trump, who took the physical appearance and vocal delivery of stars.

For Novak, who hit with a relatively gracious statement against harassment and aging, was evidence that Hollywood misogini lasts decades after her 1950s – and perhaps a reminder why she took early departure to the industry. She does not bring a thing in a dizziness “Kim Novaka,” and hopes it doesn’t think much about it. But her legacy and feelings committed by the past and present are a lot in her mind Alexandre O. Philippea warm conversational documentary portrait.

If you wonder if the title “Kim Novak’s dizziness” is digging the most sweetest film of actor, is not: Alfred Hitchcock stressed in the whole doctor, to the point that his spirit even thanks the closure for closing this film “.

Some viewers may want to deny that, although Novak seems to believe that and she is a hard number to argue. Funny and expressively and thoughtfully in her nineties, she is also boldly eccentric in ways that have little to do with age: willingly go through the madness of film Stardard in the state of insulation after celebrities, she speaks like someone, it does not exist at this point. Slightly in an aspect, Philippe’s 76-minute movie resonates as it is naughty today first hand in joy, terror and faithful golden age Hollywood.

This is not the first adjacent project of Hitchcock from Philippe, fertile Swiss director of documentary films of Chinema-Centric, which had previously deconstructed “psycho” iconic shower scene in their film 2017 “78/52”. Philippe’s Oeuvre focuses with cute obsessiveness in direction and formal crafts: Newer territory (starting with William Shatner 2023), but there is a palpably relaxed affinity between him and the novices in various votes in various voices, as well as striking vulnerabilities In various voices, as well as striking vulnerabilities in various voices in various voices. their dialogues in personality. “I feel like I’m close,” she says in one of them, at the beginning of the film, adding, “I need to free something that was in my mind closet.”

More than something, it turns out. Novak’s musing ranges from anecdotic, but non-intentional reminder of the film industry – Collumbia pictures of Harry Cohn, who changed the name Marilyn and paid “thick Polk” at her Trial Refle. “” It’s more proud to be a reactor to be a reactor to be a family reactor (“I feel proud that I was a reactor to be a reactor. The reaction of parents at her Standard.

Her father held the fetus of her only son in the jar in the garage, while her mother admitted she tried to break her. Her grandmother, a blue-peat spirit, was a more model for young novice, and her image is often repeated in gardens, surreal images that the star products to date. Painting, which was taken after Los Angeles for great sur and turned from full spiritual career at the end of the 1960s – the shift it refers to “that Rebon” is an art as its “survival regime”.

Well-selected clips follow the evolution of Star Star from the day “Picnic” in her sleeve crossing in the parts of Femana Femane in Flintier, the possibilities of her turn in the industry in 1968. years, “Legend of Census”. But it is a new role as Judah and Madeleine in “Vrtiglavica”, which seemed to have a better time with bullying, and how it still is on her experience, and how it still still on her experience, and how it is still that Still in her experience, and how still in her experience, and how it still on her experience, and how still her still on her experience, and how she still remains her still on her experience.

“It’s a miracle” dizziness didn’t blow my mind, though she was saying it’s a feather in man’s guidance, still attacking his identity and feelings in the industry that the government in the industry is ruled by a male desire and ego.

Discovering the original gray suit that carried Madeleine out of the box on the attic, she overcome the feeling that she strengthened clothes at the time of filming. “It’s part of me,” she sighed. “It’s a good thing in old age – you can look back and everything is nice, because it’s life.” Simply constructed, without any agenda more important than simply playing his object and eagerly listening, Philippein live is inclined to agree.