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A growing Greek film creator Evi Kalogiropoulou brings her long-expected functional debut, “Gorgona”, on Venice Film Festival This week, where the film is the empowerment of women’s establishment of women’s empowerment set in dystopian, in the future dominates a man – has its world premiere of critics.
The film, who was awarded at the film Festival Rotterdam Film Festival, followed in the Fifth Director of Buzza 2021. years and “on Xerkes’ throne, and” Cances Critics “Awards” About Cances Critics “, is awarded” About Canses Critics “Reward Reward.
Written by Kalogiropoulou and Louise Groult, is Productions of Amanda Neda, in co-production with Bertrand Gora, Alexandre Perrier and Francois-Pierre Clavel in Kidam, Copyright and author and author, art and author. Playback time of world sales handling.
“Gorgona” takes place in a small, impoverished state in the city that provides an oil, resource that allows its residents to be prepared as the rest of the world – as seen through a number of unforgettable emissions – as seen through the series of news and collapse of environment.
The city-state judges him a gun, a hyper-male army whose a boulder leader, faced with terminal diseases, must be agreed for his succession. The competition for success to grow when it includes its protégé, Maria, played by the actor “Assassin’s Creed” Melissanthi Mahut, among condenses. But her destiny will change the arrival of Elenia (Aurora Marion), a sunny singer who performs in the town of the Bar.
The genre bending follows, a gender fluid mash, which is part of Queer Romance, partly revenge fantasy, inspired Kung-Fu, Western and Blakploitational Films of Calogiropoulou thrilled as a child.
It was in those movies that a film boat – also achieved a painter and a visual artist – says she struggled to set up alone.
“The director was always human. And you could see stereotypes around this,” she says Variety. “I’ve been thinking of how we can do (same thing) from a female perspective.” Calogiropoulou describes “Gorgona” as “fulfillment of that imagination” and “love letter” in the movies he inspired it.
The film was shot in Eleuins, contaminated industrial city on the outskirts of Athens, whose oil refinery offer a dark, post-apocalyptic setting of the director of the Distopian Universe. The city also has significance as an ancient host of Eleuzinski mystery, a little – understood pagan rites focused on the myth of the abduction of Persefon king underground, Hadeda and the Question of Her Mother Demeter’s quest.
These mysteries – the celebration of women’s forces – offered the spring plaque for researching “patriarchy and environmental destruction,” she said to encourage her to predict a restless future in which masculinity was quite literally toxic.
In “Gorgona”, the director draws from ancient Greek mythology – “starting the Western Narrative”, while putting it, as it takes away, remixing myths and modern influences to create something “completely different”. The title is a reference to monstrous, wings of Gorgone, which is most famous than whom, Medusa, Kalogiropoulou describes as a “end number of female rage and transformation”.
Imbuing Toma Topic Building with Skid Middle Award The reported story is part of the self-apocalyptic shooting – “Gorgona” is also a film about love and femininity, in which other women has the capacity to unlock the superpower. Even perhaps, to change the world.
“Through love I can find something else I haven’t researched yet,” says Kalogiropoulou. “Of course, (there is) attraction. But it is also power (discovered) over another person. It is also about love for (you).”
