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“Vertigo“The star Kim Novak was honored by a golden lion for the life’s achievement on Monday Venice Film FestivalWhere the repuniginal Hollywood diva, the first public performance, made its end excellent in the city center in the mid-1960s.
She was greeted with a warm long-lasting egg before Guillermo del Toro took the stage to deliver a great honor.
Novak, 92, became world top Hi office arranging during the late ’50 and early 60s (1955), Oto Protonger “Man with gold” (1955), George Sidney’s Pal Joei (1955), “Vertigo” in ” Vertigou “, in” George “. The role of its lifetime.
After stated the top of the director Novak, Del Toro has set aside the most affecting him: “It is the most impressive, the strength, mystery. To appear, dear, dynamic, mystery. And with all these wonderful performances, and with all these wonderful performances, and with all by that wonderful arrest. ” It’s always a little heart and a little mystery and a little heart and a little mystery.
Del Toro added, “Over time, she performed her appearances. She had greatly decided to slow down, to rest at the peak of his powers and looking for personal fulfillment of horses and as a lyrics.”
In 1966, the Hollywood star withdrew that acting and pulled into the ranch in Oregon to dedicate himself to painting and her horses, since then he was only sporadically working in the film.
“Oh my God! This is so beautiful,” he said, visibly moved Novak. “I’m receiving this. But it’s the same as it is,” she said, gesturing to the audience. Then she exclaimed, “You’re me!”
“First of all, I’d like to thank the gods above. Not everyone. Just all those. It’s such a gift that they’ve been waiting for the end of my life (for me) to get it,” Novak added. ”
“I want to thank my father that my moral compass,” she added. “And my mom. I was very shy and would make me look in the mirror and make me say,” You are the captain of your own ship! “It’s something I think we all need to say. We all need to make our voices heard.”
As part of honor, Venice was premiered by documentary film biopski “Kim Novak’s Vertigo,” he directed and wrote Aleksandra O. Philippe. The doctor skipped rare archive recordings with personal reflection of Novak and Glimpeses in her recusive life along the Oregon River, looking for “her path from the Icinema in the mid-century in a fierce private artist”, as the doctor-son-system sets it.
“It really is in her spirits in her life,” the director said during the press conference before the awards ceremony. “In fact, if you really want to go into it, the movie has a spiral structure. At the end of each act, we are coming to this idea why Hollywood left; but at the end of each act it is a different reason.”
So why did Novak agreed to be part of “Kim Novak’s Vertigo Vertigo”?
“I wanted another war in her life,” said Sue Cameron, Novak’s manager and a close friend who also serves as Doc’s executive producer. “It wasn’t really easy. But she felt safe with him (Philippe), so she said yes.”
“It’s a challenge,” the producer added “Kim Novak Vrtoglav” Terri Pinon about the bringing Novak in Venice for Honor and Doc’s Canyon, which will follow the look in Deauville to the American Film Festival in France. “She wants to be with her horses and her dogs. But she is ready to help the movie team and be here.”
Cameron pointed out that Novak is still exercising with weights every day.
“It has a 13 acre ranch with three islands on it and horses. The horses, she walks around the meadow. This is not someone who works in years.” She worked with weights this morning! “
