Amanda Seifried on “Ann Lee Testamentu in Venice

Filmmakers Mona Fastvold and chin Corbet got honest with the challenges of an independent cinema while on Venice Film Festival with their moving music drama “ISE Testament Ann Lee. “Their last cooperation investigates that the founding leader of Jargar, the radical religious moment that began at the end of the 1700s. It is the focus of this less familiar chapter of American history, which means that the film is not the most obvious sale of the film.

“It was a pretty feat,” Corbet, which is “vows Ann Lee” with Fastyd, at the Official Press Conference. “As you can imagine, the Shaker Misiica’s elevator was not the easiest to get off the ground.”

The Andrev Morrison, who was responsible for the cobblestone, together with 10 million prices of $ 10 million, chased in: “It must be easier.” He added: “The goal was that Mona had complete creative freedom.”

Despite the economic budget, FAVILD was not willing to compromise its great vision in terms of Ann Lee’s story.

“I thought she deserved something grandiose and wonderful,” Fastyvold, who was directed in Venice for only a year after the awards 2024. Year, darling “Brutalian” Corbet. “How many stories did we see about male icons at a great level, over and over again? Can’t we see one story about such a woman?”

Amanda Seifried Stars in Historical Drama Musical As Ann Lee, founder Christian Christian Christian Christian Sect. He was born in Manchester, England and faced religious persecution, in 1776. year with a small group of followers in the United States despite the passage through numerous personal traumas, it was helped to establish a utopian society known for its gender equality, used gender equality. Fastyvold was thinking of Seyfried, known for films like “crime girl” and “Les Miserables” for the title character for its combination of “kindness and tenderness” as well as “power and madness”.

“Amanda has a lot of power. It’s very strong, a beautiful mother, and she’s a little crazy,” Fastyvold said. “I knew he could access those things. I saw Amanda ready to go full strength.”

Seifried described the “enlightening and incredibly therapeutic” role.

“I never went down this way,” she said. “It was amazing, but also hard to play someone who is the leader.”

Seifried, before press conference, talk Variety About the first minute of singing on the screen, from “Mamma Mia 2” and in very different – more in the form of pagers in whatever it worked earlier.

“There was a lot of animal sound, as opposed to melodic sounds,” she said that for one song, because she had to “leave my shit, to find a voice that he found passion, raw material, sadness, and despair,”.

Before a wrapped press conference was placed, a casting commission and creative is there any in modern times reminiscent of the character as Ann Lee.

“Mona is closest,” Corbet said with laughter. “It’s your mother’s mother, honey.”