Sofia Coppola and Marc Jacobs on his doctor “Marc” Sofia “

Two long-standing friends will be made between playing in Venice in which a red carpet is discussed.

Sofia Coppola is the director “Marc of Sofia“New A24 documentary prime minister in Venice. September. Coppola approached the Cutler manufacturers and Jane Cha Cutler, which is a Kaleidoscopic Research of Jacobs, which also produces its unique collection and its influences over time.

Coppola and Jacobs talked with a variety of days ago an important milestone. “I’m excited tomorrow about my dress, with Marc,” Copola said. “It’s always exciting and scary.” Jacobs was worried about the film to cross, but he said varieties, “I know I’m in good hands with Sofia.”

Marc, you lived in the eyes of the public, but was there a new vulnerability in enabling Sofia to tell your story?

Marc Jacobs: I always feel pretty vulnerable when I show work or when I share work, but I felt very comfortable revealing all Sofia. It was very natural, once I was done initial anxiety actually participating.

Knowing Marc, as well, what about him jumped – not just as a friend, but someone you could actually take a movie about?

Sofia Coppola: I didn’t think I was doing a documentary, but I always like talking to Marcom. It is interesting and inspiring. And so when I approached me, “they talked to Mark on this documentary and would I do that? – I thought I couldn’t do that. Because it’s my friend, I’d have to do a good job. “

But I kept thinking about how much fun to follow this collection, she jumped throughout the process, and then wanted to share all his references and inspirations with a younger generation.

There is a real quality of real moods that the film gathers together shots of all Marks of inspection.

Coppola: I wanted to feel like an impressionistic portrait of him and that they could continue on these tangents about his inspiration. To try meander and discover while we’re going. It was new for me and it’s really fun to work this way – we have to almost collage.

Working together, did you both realize that making a film and direction of fashion show have surprisingly similarities?

Coppola: I always felt a relationship, because all creative people have some like language, although we work differently.

Jacobs: I think I returned when I first met Sofia, it was very clear that we shared certain love – artists, musicians, moments in fashion and photography. One of the reasons why we tied that we did it together.

I remember video poster Fiorucci in her house – we always divided it. We always shared the Sonic Youth. It was felt like a continuation: Rediscover these things that were always catalysts for me, for her or for both of us.

Coppola: Whenever I see a leopard printer coating in his collection, I mean Mrs. Robinson (from “graduation”). We both think of Mrs. Robinson. It’s great to have that abbreviation: I was trying to make the movie feel in person, but I always want to turn on the audience. I never want you to feel like part of it.

Sofia, you are famous for movies that explore the inner life of young women. Has Chronicalling Marc Life felt unusual for that reason?

Coppola: I didn’t think about it. It’s always scary something to do something – you understand that as you go. I just wanted to show an honest view of Marc – I wanted to feel in person, never intrusive or intimate, but to share things about Marac.