Kim Novak spoke Doctor Doctor “Kim Novaka”

Kim Novak decided to move away from Hollywood in 1966. year, at her glory, because she felt like a real thing. The screen legend, now 92, also believed its instincts last year when the director of Aleksandra O. Philippe requested to be the subject of the documentary.

“I feel somehow it should have been,” says Novak.

Philippe’s Doc “Kim Novak’s Vertigo“Complies rare archival shots with personal reflection from Novak to find a path from the Cinema icon with the mid-century to a fierce private artist.

“I thought it was a good idea to do (this movie) in a way because it was a chance to end my life,” says Novak. “Like you would be in confidence, I expressed things that were important and meant something in my life.”

The film debuted 1. September to Venice Film FestivalWhere the novice will get a golden lion for life’s achievement.

Novak has involuntarily become a legend about the screen at 21. years when she traveled to Los Angeles from Chicago looking for job modeling. The Novak immediately “discovered” and, after the signing of the contract in the pictures of Columbia, he became a Hollywood star. Also has become drawn on the World Draft Office during the late 1950s and early 1960s such as “Picnic” Pictor Logan “(1955), George Sidney’s Pal Joei (1955), George Sidney’s Pal Joei (1955) And, of course, Alfred Hitcock’s “Vertigo”. Lifetime.

In addition to acting in movies, with Jimmy Stewart and Frank Sinatra, Novak created his own production company and went on strike to negotiate salary. But after a decade or in the center of attention, Novak left Hollywood for a simpler life in Oregon.

“This golden lion for life’s achievement celebrates the stars that was emancipated in the heart of Hollywood,” said that the Venice Film Festival festival stated that in Venice Barbera Alberto Barbera, to blackmail and her horses.

Initially, Philippe reached Novak on the documentary he worked on that focus on the final series of “dizziness”. The director wanted to “get Kim on the record.”

“The way that takes place is that Sue Cameron in the end reached and said that she watched some of my films and asked someone to make a portrait of Kim for a long time,” says Filippe. “She said,” I think you’re a guy. Would you be interested in talking to Kim? “So, of course, I said right away.”

The result is a 77-minute doctor who is not a typical chronological biop of the stars, but instead of an intimate portraity of the human being, which is reflected in exceptional career, and, probably, ordinary educations that led to it.

“When you make a portrait of someone, there are a million ways you can access and the last thing I’m interested in doing is to make an emphasis,” Filippe said. “If you think it’s the most relevant story of Kim Novak, and it’s the first time that’s what’s at the beginning. This is what’s in the beginning, and ours is that it’s the case with that The beginning, although it is at first, and it is what it is at the beginning, although it is that it is at the beginning, although it is that it is at the beginning, even though it has become its relationship. It is that it is on peace and discovered her personal spine. ‘Dizziness.’ “

In Dr. Novak reveals that her father was not a fan of her success and her mother always said she was a “captain of her own ship”.

“I had no idea how much influence (my mother) had on me to work as she believed and wanted to pass on,” says Novak. “Because I think she probably felt how important it was and that she might want to do all the things she wanted to do.”

Novak called Philippe to pass through her attic, which contained mild photos, diaries and notes.

“There were boxes on boxes on boxes on her attic,” Philippe says. “One of the Greatest Joys Of Working On This Project Was That When Things Of Everything In Real Time. She Didn’t Know What Was In There – and Found Some Things Of Hers That She Didn’t Know Existed. Things That She She SHE Hadn’t Seen in Probably Decades. That Process Of Discovery Was SO Special and Fun. “

One box, which was not open for decades, contained a gray suit of Novak was wearing Madeleine Elster in “Vertigou”.

“My memory of that suit is how much I didn’t like,” says Novak. “It was stiff. I’ve always felt like I was wearing a tightening. I just don’t like the way it was seen, but of course, that made it right in the film.”

Philippe The recorded novice is reached by the box.

“When I opened the box and touched it, he was suddenly stiff,” says Novak. “It was so soft. It became soft during the years, and how you have been softered in my life and how you definitely learn to appreciate everything in life and how you definitely learn to appreciate everything in life and how You definitely learn to appreciate everything in life and how you definitely learn to appreciate everything in life. What definitely learned to appreciate everything in life. Which definitely learned to appreciate everything in life. What Come on things in life you understand how everything is incredibly whether it’s in life.

The film also inserts in Novak’s feeling about his beauty, which she describes as “carrying the crown of thorns”.

“I still look at him that way,” says Novak. “Of course, it got me there, but because it was in a way. I think it was how to feel. It was how you feel. It was how to look. It was how you looked. There were movies.

Novak’s complicated, the relationship of love-hate with Hollywood is dissected in the whole documentary.

“Finally, the film is about a woman who had to constantly struggle to stay true, against the forces that tried to shape and shape her to someone who didn’t,” says Filippe. ” “The film, of course, is called” Kim Novak’s Vertigo “, and the structure of the film is the spiral structure. We are constantly coming back to this idea of ​​leaving Hollywood, but every time we return to it, it’s every time we get back to it.”