‘They are trapped in weapons on the bazaar’


Benedict Cumberbatch and Olivia Colman are at war in war Roses1989 remake. Comedy Rose warIn the nonsense Michael Douglas and Kathleen Turner.

The two stars show theo and ivy, British couple living in the United States, whose love marriage puts in danger when theo’s career as an architect and ivy as a chef, both in return. “Originally I think that the whole idea was to be born, born, it was much more like two people who love them, they were trying to stay together,” Toni McNamara scenarist said.

He added: “It’s Just Like Writing about People Who Want To Be In Love And Are In Love And How For Everybody, Their Egos Get In The Way And Their Natural Flaws and Ambitions. So That Was The Idea, Like, What Are The Contemporary Things That Are The Contemporary Things That Are The Contemporary Things That Pull Caples Apart. and Everybody is Told, ‘Zbe Ambitious, Be Successful.’ So that was needed by that meaning from the outside world, but also how it attacks what was inside. It was some kind of tension between the two, I think it was always that it was really starting, but it was really terribly. “

At the beginning of the film, the Link of ivy and theo is ideal, loves and fun. But of course, we see each other quickly at their flaws, for example, when Theo says Ivi that he can never admit when he is wrong.

At these repetitive criticism, Benedict Cumberbatch said: “The part of their failure takes responsibility for each of their actions and stronger, but vibrate and vibrate and vibrate and vibrate and vibrate and vibrate and vibrate and vibrate and vibrate and vibrate They vibrate and vibrate and vibrate and vibrate and vibrate and vibrate and vibrate and vibrate and vibrate and vibrate and vibrate and vibrate. The seeds are continued. The relationship becomes film. The relationship becomes a movie. The ratio becomes a movie.

Although marriage Ivi and Theo reach what would be a point without returning to many couples, their one’s british humor, whose brilliant career often led to work, whose great career often led to work and lives in the US.

He said, “The fact that when I say” water “people” I’m sorry, what? “But if the American says” water “exactly know what they’re talking about.”

He added, “These are small waves over ponds that become bigger waves, it is not only language. There is also a huge exchange, people said,” English humor is sharp and witty, but and perhaps a little spiked and cruel. “Yes and no, I think that Americans are so much that you can tell each other in their own, or that is what the hell is that the shape and says,” I don’t look at our history, and that’s true, sometimes we are very strong and much It is, in British humor, which is not so open. I think Americans are very open in all their complexes and emotions are actually a little more “.” It is a kind of feature that is quite true for cultural differences. “

For Cumberbatch, Ivy and Theo are “saying what they mean, but they are misinterpreted as funny.”

McNamara added: “There is a joy (in British humor), the joy of being witty, the joy in smart and how the film begins to break down, they really do not have another language, they cannot find a different way of speaking.”

For McNamara, the couple is “trapped in an armed bazaar,” to which Cumberbatch added that “they could live happily ever after that, but they would have to settle with real humanity and real counseling.”

Since much of the film about the wrong interpretation and the wrong communication, I asked McNamara if he would ever take care, to make certain jokes, or if he was thinking about it only to keep the story on the fact that to harm the story only to

He said, “I hope there is enough humor and I think that the British will be funny from the rest of the art. I think that it will be hers. It’s something universal, and there are a lot of those jokes that are cultural references.”

He added, “And I don’t mind, I don’t subscribe to” everyone should get everything. “Why? Why would they? Don’t read the book and get everything, or your friends will read this book and missing things and will not think it’s funny.”

As the years go through, ivy is happier and happier in their work, and her restaurant gets all the recognition he deserves. On the other hand, Theo, whose decline as a great architect, definitely appointed self-confidence, decides to build a huge, fantastic house for his family. However, while their old house felt more family, this new house is building an even bigger gap between them. In other words, a larger house, the larger space is between Iva and Theo. I asked Cumberbatch that this change was set up by his view of Theo and how it affected his attitude towards Ivi.

He said, “It’s a rollover that’s over, it’s great, but it suits the pressure on a couple and trying to fulfill all kinds of ideals, without cuming the basic essence of their relationship.”

He added: “They can live under the same roof and not see each other during the day. A long table, like” can you pass my dear salt? “Such a kind of British country terror in the terrible acquaintances who have grown out of love, perhaps their agreed marriages, lords and ladies and such. But it feels like that, and it is very acute reading from you.”

Cumberbatch explained that “playing that gathering was a dream, he worked on so many levels, really felt like another character in the film”.

In the end, this house that was supposed to fix all his problems, “becomes the home of all their complaints.”

Roses is now in US theaters.



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