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With a shaved boss, delivering professional lines and the Assembly of the Second All Time Unforgettable Character, Emma Stone Continues to drive this golden age of the cinema. It could only be our modern day Katharine Hepburn.
Greek AUTEUR IORGOS LANTHIMOS, Oscar-Nominovani director of “poor things” and “Favorites” completely entered his alfred Hitchcock Era with “Bugony“What is a bold new area for a filmmaker. At Telluride Film FestivalThe Executive Director Julie Huntsinger presented Jesse Plyston as “Jesse F *** Plymonds”, and the actor lived on collection in every way.
After debuting at Venice Film Festival, Lanthimos’ wildly separated “Bugonia” presented to the audience on The Werner Herzog Theater. The dark comedy is the best type of problem with the focus of distributors for this OSCAR season: how the shepherds of two candidates for power plants (second “Hamnet”) through a debt, unpredictable marathon reward and determines which narrative will be the most resonated with the academy.
Adapted from Young Joon-Hvan 2003. South Korean cult cult “Save the green planet and new manifolds Aidan Delbis, which is difficult to hide that alien hid that alien was flexed to destroy the country.
Namini, but Oscar Nominee for Jane Campion “Power Power” (2021), it broke into what could have been his most common and more prior job. The best nomination of actor feels not only possible, but inevitable. It is difficult to determine the Oscar winners in history that embodies this type of role, but the nearest comparison seems a mixture of Anthony Hopkins (“Silence of Janjadi”) and Geoffrei Rush (“Shine”).
Stone, two-way Winners of the Oscar for “La La Land” (2016) and “Poor things” (2023), shows almost terrifying fearlessness in her occupation. In 36, actor-producer continues to build what could become one of the Hollywood’s shortest career. Like Hepburn, who won four Academy Awards during the life of iconic performances, it seems that the stone is ready to redefine what a leading lady can be.
The stone has already become history as one of two women nominated for action and production of the same years (“poor things”). Others were Frances McDormand for “Nomadland” (2020), who also won an actress and the best picture – her third and fourth Oscars. The other two Oscars McDormand came for acting in “Fargo” (1996) and “three billboards outside Ebbing, Missouri” (2017).
Stone’s Resime already reads like a bow whole generation. From a sharp strip “Light A” to painful vulnerability in “favorite” and from her act of balancing on razors in “Birdman” at the surrealist courage “poor things” never reiterated. Each play arrives with a sense of uninvention – not unlike Hepburn, whose jumping from military comedians during the 1930s in the 1960s, in the 1960s, was rarely equal in Hollywood.
Both women also share a restless, almost pricking array against the rigid expectations of the industry. Hepburn was notorious to refuse to host and insists on the characters with ghosts, bite and spiked refusal to apologize for their ambition. In his era, the stone falsified a similar way – often playing women who are messy, intelligent, sensual and deeply missed, making them magnetically. Through between two actresses, it is not imitation, rather inheritance: the goods of art in which the authenticity of triumpers above the Convention.
Delbis, an autistic actor who prefers that term via a “neurodicalgent”, is uncomfortable in his debut. His presentation of Don, the young man was torn between loyalty and longing for the truth, is raw, honest and emotional backbone. His presence comparatively with spicy performers like stone and plates gives movie quality LiveVire – the feeling that something unpredictable, and thus enthusiastically, they could narrow down at all times.
Like many Lanthimos movies, “Bugony” is a frontal way, with potential through part, guidance and scenarios and strong perspectives in each craft category – including visual effects.
In many ways, the film achieves what Adam McKay looked for “Don’t look up” to be: a sharp, brittle social comment in our world. The Stark difference is that the screen chamber will never feel like talking about the audience. It reflects the world, holding the mirror towards our wrong villages.
But with a mixture of more genres, I would doubt that the film to polarizes for the survey (I think the “darkness” is a substance “last year). However, I think it will occur with” poor things “, which unrrised 11 nominations.
For focus functions, this represents an enviable abundance challenge: When your movies are good, true art becomes decided how to tell the story to voters.
