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The speaker of hunters on the KPOP Demon takes seven out of the top 10 points on the songs on songs on the songs on the Billboard headed by “Gold” on no. 1. New York, New York – August: (LR) Kevin Voo, Arden Cho and Rey Ami attend hunters at the KPOP Demon and Peng-along the event of a surprise in Paris Theater 23. August 2025. years in New York. In New York. (Photo wrote Roi Rochlin / Getty Images for Netflik)
Geti Images for Netflix
The KPOP Demon Hunters Soundtrack and songs created specifically for animated film became a cultural phenomenon, just as the movie itself. Tunes and the entire length performed spectacularly for months, but it’s on a streaming platform that music shows the most. This makes sense, because production has speared younger and has been largely consumed – but not exclusively – on digital platforms.
Current Sound-record performance on one of Billboard’s The most common competitive cards shows how massive KPOP Demon Hunters became at locations such as Spotify, Apple Music, Tidal and IHeartradio in the USA
On this week’s streaming songs of the song, Billboard’s Ranking the most common melodies across America, tracks KPOP Demon Hunters Fill seven spaces in the top 10. It is incredibly rare for any album to take 70% of the highest level on ranking. Typically, only brand new editions from Lajko Taylor Swift, Drake or Kendrick Lamar even approach such a type of domination.
“Gold” is stable on no. 1, because it ranks again as the most highest path in America, regardless of genre or language. Two other melodies, “your idol” and “how it works”, remain in their own tops no. 3 and 6, respectively.
The four other speaker cuts rise to new tops on songs on Striming this week. If it was a round led “Soda Pop,” raised to no. 4. “What sounds like” “Free” and “Takedown” is also improving, and the second is pierced into the highest level after sat right outside its frame.
At the same time KPOP Demon Hunters Seven Top 10 breaks, two additional tracks from the project debit on streaming songs of the song. “Takedown”, which are attributed to three members of the South Korean group of girls, opens on no. 40, while the second version of the same path appears on no. 9. Two times open to no. 45, rounding all the cuts presented on a sound record.