Physical Address
304 North Cardinal St.
Dorchester Center, MA 02124
U “Tired of murder. Anti-inflation of the assassin“(” Killing tiredness. Autobiography of the murder “), the Italian director of Daniele Vicari reaches explosive autobiography until late Antonio Zagaria, forms a lactator for Kalabrian union criminals ‘Ndrangheta.
“It was surprised that it was untreated, the ignorated man came to a more important conclusion of all intellectuals, philosophers, journalists or director. The moment you kill someone and yourself are also killed Variety in front of the premiere of the film in Venice.
Vicari discovered the package of the book many years ago.
“I mention that” autobiography of the assassin “because it is what it says,” It’s his problem, “in the book) he looked at his story as if I were allowed to interpret these events in the subjective way.”
The desire of the pollution to shape his destiny instead of following the path that was forced to take – as the Son of the Calabric Chief – feels universally, he emphasizes.
“We are also closed so many rules. Sometimes I can change – the second time they are crushing us. There is something nice to see that this violent man who lacks the most important thing: freedom.”
He adds: “He was not well read, and yet he chose the title of book by referencing one of the most important works”) Cesara Avsesee. He realized, probably while in prison, it was in progress, that writing could set him free in prison. ”
Looking at Gabriel Montesi in the main role, Joined Vinicio Marchioni, Selena Caramazza and Andrea Fuorto, the film produced Momprac with Ray Cinema. Beta cinema Here is a handle sales and debut exclusive shot here:
The ejection of the 1970s, among protests and social changes, “tired of killing” allowed Vicari to show a period of time when “the desire for freedom became very strong.”
“Young People All Over The World Were Thinking About Freedom And Antonio Realized He Didn’t His Origins, Forced Him To Do What He Was Doing. Psychoanalysts Say That Sometimes, You Have To ‘Kill’ Your Father In Order to Move On. But How to Move On. But How to Move On. But How to Move On. But How to Move On. But How to Move On. But How to Move On. But How To Move On. But How to Move On. But How to Move On. But How to Move On. But How to move Can You Kill a Father Who Can Kill You Too? “
In the film and the book, his whole body begins to physically react to his “job”, aggressively rebelled.
“I grew up in the village, in the mountains. At some point, I was fed and his blood was drowning, even his … Missing that every human husk was to mete that every human human human repulsive blood, even his own …
After “Prima Cha La Notte”, in which he told the story of Giuseppe “Pippo” Fava, a journalist killed by MafiaHe never wanted to do “another movie Mofi.”
“It’s not interested in Antonio at all. He’s the samurai, his story. His story says something about our life, because we collected so many things: economics, politics, international conflicts. The problem is that they do not refuse the problem.”
After the Antonio’s internal trips, at the head of the vicariarism in some unexpected places.
“It talks about his own actions like it describes the gangster movie. It’s a irony in it, but it’s a morbid irony. It was his way to deal with all the pain, all violence. He does not know how it is not known.
“These people are poor, although they have a gathering of clothes, cars and the entire army. He does not express that in this behavior. There is no honor. There is no honor of having no honor in that there is no honor ‘Ndrangheta. He collapsed, inside, the organization that closed it. ”
The pollars has discovered a lot: Also ‘Ndranghetacoded language.
“During my research, I understand that he was one of the most difficult people, because he didn’t just give names. He discovered their secret codes,” Vicari says.
“In the Gangster movies, in the” godfather, “the son replaces his father and creates an even larger realm. Antonio refused this” heritage “; he also betrayed the whole organization. No mafia was forgiven.”
