Budapest NFI Filmlab offers a post-manufacturing store

“Brutalian” director of Brady Corbet sent film Twitter in the counter last year when he was taken with 26 reels of 70 mm film supplies, it strived for about 300 kilograms, to revive his 215-minute epic life.

The Hungarian Movie Film Ildiko may have just gave a corbet running for her money.

During the production of its triptych drama “silent friend”, which will compete for the golden lion at this year’s Venice Film FestivalEniedi has developed more than 65,000 feet of 35 mm and almost 30,000 meters of 16 mm film supplies – enough celluloid to Lido carpet several times.

When there was a demanding work for the processing of its stocks, both director elected Budapest NFI filmlab, which was founded in 1957. years and remains at the head of top technology of post-production technology. The recent accommodation of the investment gave a dramatic upgrade to its facilities, including new processing, which was used and its team used while the “silent friend” fired.

Other Critically Acclaimed Suit, including Yorgos Lanthimos, Pablo Larraín (“Maria”) and Hungary’s László Nemes, Who Took This year’s Golden Lion Contender “Orphan” to the Budapest Lab for 35mm Color Negative Processing, Scanning, Digital Color Grading and Analog Image and Sound Recording.

NFI Filmlab Head Viktoria Sovak says that the “most complete and most experienced film laboratory in Central Europe”, providing analog and full range of digital film services.

The laboratory is known for its highly qualified experts and their careful approach to their work, with “orphan” Color Laszlo Kovacs describing how it was “in everyday contact with Cinematographic Matias Erdeli” during 10 weekly filming.

This enabled technicians to make crucial column evaluation decisions, while ensuring that the editor of Peter Polijer “could already work with the material that was very close to the final visual film style.”

“After the end of the edit, we spent over 140 hours at the evaluation of colors to achieve the appearance that the audience will see the audience, adding that the team achieved” unique quality at a 35 mm printer that you have never seen a printer before. “

NFI Filmlab remains one of the few film laboratories in Europe that provides complete analogue post-production services, according to Sovak, which is why so many famous renowned directors are constantly returning.

“Many excellent film creators continue to shoot 35 mm and 70 mm film, and it is analogously definitely recognizing the Renaissance,” she says. “We believe we need to enlarge analogue technology.”