Scarlet converts Shakespeare in animated fantastic epic

Well, I didn’t go wrongand I before To succeed in doing this at the last day at the Toronto International Film Festival. One of the movies I wanted to see the most this year ScarletThe newest of Mamor Hosoda, whose most recent film was fairy tale Metavers Kill. Since this film was re-examination Beauty and the beast, Scarlet is a turn Hamlet It’s a lot of daring, creative ideas. I mostly enjoyed it, but unfortunately, that was forgiven with the end that really doesn’t answer.

I also managed to squeeze in two other films: Korean revenge / robber and Norwegian filming on connecting through art. You can read my thoughts at all three below.

It’s a lot to squeeze out at a festival, and I appreciate everyone who followed together. I’ll sleep now.

Although the opening is clear, all turns out relatively fine, The project and remains a roving and unpredictable throughout the whole. Starts like a film on bee. The two best friends (Han So-Hee and Jun Jong-SEO) have worked hard for years and will soon withdraw from their awful jobs for good, but then rushed in a series of scams that completely delete their savings. So, when they hear about the hidden cash cash cache, they can’t resist. They are caught, of course, and the film moves in the revenge regime. There are several amazing moments on the way but The project and He has an unrelenting type of tension that strengthened absolutely vicious evil (Kim Sung-Cheol). Only they are warned: there are some very horrible torture sequences.

_{There are still no words on a wider theatrical edition.}

Scarlet (Mana Ashida) is a young Princess in the 16th century Denmark, which emphasized that her life turned upside down when her uncle kills her father to take the crown for himself. Setting is basically HamletBut the turn is that large of the film takes place in the afterlife. It is a space known as “otherworld” – neither the sky nor hell, but instead of ravaging where people struggle to achieve and a massive, ancient sepulations that cannot be enchanted. The fantastic element of the film is strong, as is Scarlet’s one-legged search for revenge. But the film is fired towards the end, with a happy ending that feels very outside of the place.

_{In theaters in Japan 21. November; There are no words on the global theater edition yet.}

Nora Nora and Agnes are trying to join the problematic childhood after their mostly absent father Gustav (Stellan Skarsgard) regained their life again after their mother’s death. It is underestimated but powerful film from The worst person in the world The director of Joachim Trier, and it happens partly through understanding the trauma through art, because the Gustav is a legendary film director who tries to make it even the most modern film. Sentimental value is filled with the guts of penetration of moments as when Nora asks his sisters “why did not ruin our childhood you? “But it brings it all together in a way that really feels hopes and touches.

_{In theaters 7. November.}