Lee Tempo has big hopes in the fourth season of the ‘Foundation’


You didn’t see the last episode, did you?

Recording no.

I just didn’t give anything now, did I?

No, no, you were prone in the directions I think it was set up. I’m still eager to see it now. I have a question acting: How do you and your colleagues play the same person who is not the same person?

In the first season, we created this idea to sit around dinner and have the same movements – that it is a cultural matter among these three people. We had these technical ways to make their common awareness of being shared awareness and treat u. We just practiced it. We came up with this little dance that we would do with those dinner table scenes. In the second season, we distinguished something with it. We have created this idea of ​​who will not follow the rules, who will just do it differently, whether other brothers like that or not.

Oh, interesting.

I like to work with Terri (Mann, who plays brother twilight) and Cassian (Bilton, who plays brother Dawn) and Laura. It is such a unique concept that (writer and producer David S. Goier) had these cloned emperors that everyone lives together as a family, and there are many different ways to look at it. I think it is a completely original idea and in accordance with questions that Asimov asks Basis And his second job.

Lee tempo with bloody joints and a red iPhone on a set of foundations.

Lee tempo with (hope false) bloody joints and red iPhone on the set Basis.

Courtesy of Lee tempo

Lee tempo that works on the foundation.

Lee’s tempo that works on Basis.

Courtesy of Lee tempo

I totally agree that it is a true original idea. There is always a new way to play basic blues, but this is a really new idea that I cannot think of the previous work. There may be one.

And that’s time. It’s time. You can do this with time and generations and that’s what I feel like we’ve now done three seasons. Now we covered 300 years and still look back still.

Lots like Asimov.

Worked on this story for so many different decades, writing Basis Books, writing them associates and finding ways to bind in other short stories and stories that wrote in other books and series and spreads this world Basis.

Yes, but I would also imagine that great source material can be irresistible.

I really like how we didn’t treat the production of a series like fan fancy, where we would be like, Ok, now we are doing a scene where this happens and now we are doing a scene that happens and it happens and it happens and it happens and it happens. But we let the prime of the story that Isaac Asimov left us on the table and we can explore cartoons that it was written, plasina called, cartoonists, payments that occur later written and understand about the story.

That’s right, she remains faithful to shaping Asim’s ideas without being seen.

As a scientific fantastic fan, I feel like it’s like a good opportunity we took if we could get it on the screen, to use and be inspired by everything we have in front of us what it has achieved in writing Basis and then bind in all these other different stories and features that he created in full. I mean, he’s just an incredibly fruitful writer.



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