David Bowie ‘I can’t give any of the guests’ Bakted Set: Album List

When a great artist of any discipline reaches its dusk, which is in popular music medium to the end of the 1930s – the best you usually hope good not great.

The horrible bolt of inspiration that made them what is in the background mirror, although it is almost always a casual spark that reminds you who are sometimes though, the artist is in constant fight with his battle. It may still crash live, but there is a reason why new songs are a bathroom break. Some were submitted to that; Others try, with seemingly despair, to remain relevant or, up, blade. Most of them probably feel like it’s Pretenders’ Chrissie Hinde, when she asked for an autograph from a few years ago – “Didn’t I do enough?!”

There are rare exceptions: Bob Dylan and Neil Young had late warm stripes. But most of all must be David Bowie, Whose Final Album “, Blackstar“Was written and recorded while undergoing cancer treatment and released Two days before his death. It was also his most innovative and exciting work in 35 years.

“Blackstar” was the last chapter “I can’t give everything (2002-2016),” Sixth and Chronologically Final War in a series of career career boxes, and a man himself in years before his death. The core of the set is four studio albums – “Gogani”, “the next day” and “Blackstar” -regored between 2001. and 2015. years. The reason or at least an incentive for the hit came when Bovie suffered a heart attack for attention to the end of the exhausting tour and obviously decided that it was at the end of the exhausting tour. It also includes two live bars and three full CDs of strays for strays from era.

The first three albums in the set are basically a sequel Creative Revival that started with the album “Outward” in 1995. years. After Bovie reached creative in the early 90s with a semi-hard rock “to dance” “to dance” “-S-style with” Black tie white noise, and revived his song and innovation again. He also got sober during this time, married and moved to New York. It remained competitive and intensively aware of what was happening in modern alternative music (larger than which it has been influenced by some of these albums in 90s, they showed too much too much influence from the industrial rock (especially nine inch nails) and drum.

But by the time “Gentiles”, he did not follow any trends, and the album was an unusual combination of arms, experimental tracks such a low-key, they bordered Maudlin, and it is impatiently shift moments like a “better future”. The album repeated the album and the producer of Tony Visconti, with which he was working with the mid-1960s and who would work on everything that he recorded.

The next “reality”, only a year later, was a lot of life affair and intended to show Bowie’s Powerhouse Live Band. There are many more rock songs – with complex distorted guitars and drums for power plants – and experimentation, with almost almost talk-pennies with monotonal melodies. There are also some of the strongest songs of this period, especially the “new star killer,” “day” and title tracks.

The Following Tour – is collected on the sprawling “reality tour” Set, some actually display the Challenges of Being a Rock Legend Later in Life: The Setlist Alternated Classics With Deep Cuts And New Material, Like A Sequence That Saw Him Moving from the Mid-’70s non-Single “Breaking Glass” to the New “Never Get Old,” Followed by “Changes.” Although it is excitable, it is a definite album live in career and covering the “hero” version that begins with a rough, guitar arrangement that is gradually measured in the famous; By the time Anthemiaki Coda song, it is hard not to feel a lump in the throat. (The box also includes a similar floor, although it is very different in 2002. from the Montreux Jazz Festival, which includes almost all monumental album from 1977. “Hunting”.

It is interesting, although ten years have passed between “reality” and the next study album “The next day”, it is largely a continuation, with many of the same musicians and a similar combination of unexpected driving and experimental tracks.

Still, nothing from this job indicated what the next came. Bowie recorded a “Blackstar” in the shadow of his mortality, and the intensity is tangible during each album notes. Working with Jazz Saxophonist Donni McCaslin and his music is often equal to ride, but much darker, which combines the chase, until the texts start, while the lyrics have been broken down / spirit / The spirit drank a meter and that a moment was broken. Blackstar, I’m a Blackstar. ‘”The Album Closes On A Similarly Upbeat Note With” I Can’t Give Everything Away, “Which Features a distant Harmonica and” Heroes “-esque Guitar Tone (Recalling His Mid-’70s” Berlin “Era) And The Seemingly Conclusive Lyrics: “seeing more and feeling lessa / saying no but mening yes / this is all i ever meant / that’s message that i st.”

It concludes what is the most amazing final act of any entertainment career: The album was published 8. January 2016. years, his 69th birthday – two days before his death. Of course he couldn’t plan him separately, but it was hard to figure out the artist who played so memorable. It is an extraordinary final statement from one of the largest musicians in the past century.

This era served so much stray stray for strays that “recognizes” are “approaching” hives followed by all boxes in this series spreading over three full CDs. Many of them are just filled (do we really need a mixture, if they are followed by the last two albums, “Steve Reich Mix”, which contains the wink elements of “” Steve Reich), “Steve is lost” “.” Metro Remix “Everyone says healthy,” which has a credible electron feeling resembling tams of impales; Wild remix “Disco King” with Mainar Tool Keenan and Chili Peppers guitarist John Frusciante; ReBurn cooperation with Lou reed called “Hop Frog”; And a completely bonstring version of the Snorki’s 1986 “Love Missile F1-11,” pixies “of the pixies”, “Kinks” Sunset “and” Try it out and produced for Ronnie Spector 1971 (if nothing else, show the range of Bovie Music Taste).

There are several of its last plays of the emission in 2005. years, including two with arcade fire, and its “five years” and the most interesting of the rose floya classic “Arnold Gilmour” with that band. (His latest live performance came to 2006. year, version of “change” with alician keys.)

This Era found Bowie who agrees with its own past, “there was no more” heroes “” or “Station for the Station” to rely on his family and focused on his family and focused on his family and focused on his family Family and focused on his family and focused on his family and focused on his family and focused on his family. The results of that ice are still performed with a generous frequency in years since his death in form more live albums, movie “Moorage Daidream”, and, at least the least, opening David Bowie The center in the Victoria & Albert London Museum in early this week, which has a handful of 90,000 cases the museum has gained from his archive.

Many quite intentional references on their past, from “absolute beginners” – “Ba-Ba-Ba-OOO” support “All”, Hello “on Berlin Reference” Where are we now? “Crack City in never old