Fifth Season Chiefs on “Shipment”, Emmis and Construction of Indie Studio

Felt like a moment of “Shipped. “So Fifth season The CEO-director of Chris Rice and Graham Taylor were described that they woke up in July to the news that Apple TV drama company was a top during this year EMMI AWARDS DERBI.

“It was surreal. Perhaps felt like a moment in” severance pay, “” Rice says at the last episode of podcast “Dnevni variety”. “We obviously hoped for some love, but didn’t imagine the unthinkable people who make emissions, just amazing people who make the show, just an amazing people who make the show, just an amazing people who make show. ”

Taylor adds that Flours “severance pay” as a buzz In pop culture, he paid great dividends for the fifth season, as well as for him in person.

“In the world where Chris and I and our colleagues – we are looking for, we try and investigate the original storyteller. It is nice to see that it accepted and supported critics and fans,” Taylor says, “says Taylor. “And certainly my status on my 12-year-old football team – I definitely raised one comma. They make me wear a tent much less.”

Rice underlines Taylor’s point emphasizing that two-tens and nominations Emma bring more than a boasting of rights.

“The fifth season was trying to build a place that is home for the best creative people who come with really original stories and real movies and TV shows that feel the author and originally and unique,” says rice. “And that such success with one of them obviously helps people do business with us and helps us create that I hope the best people want to come and work for us. It’s all for us all.”

Taylor and Rice talk about the fifth season in the last eight seasons, because the company evolved from the work to sell CJ to be early 2022. It sells the CN ENM. Co-directors are also experienced producers and sellers, who have given them a lot of insight that they have given them a lot of insight that they have given them a lot of insight in the way effective organization.

“For me, I had experience on the other side, I always thought of it as a lot of independent contractors, and it was a lot of independent contracting.” It was really important to us that it was a very collaborative, highly entrepreneurous environment in which people are authorized. You have to find great people and you really have to trust them and empower them. “

Also in today’s episode, Michael Schneider, VarietyTelevision editor talked about his A recent column offered by a bold proposal by television academy How to prepare for negotiating a new agreement on TV rights for EMMI prizes. In the last 30 years, EMMI awards annually rotated among ABC, CBS, Fox and NBC, which has become known as “wheels.” Schneider suggests another approach for the next contract that will take effect 2027. years.

“Why don’t you give everyone Emmis And follow the model that was actually done quite effective in charity events over the years, “says Schneider.” Usually when there is a large catastrophe, there is a charity event that comes after each network and each streamer will then launch that charity event. It is called a roadblock. Why don’t we do this with the most important television year emissions, which celebrates itself? “

SCHNEIDER Note that he conveyed the idea next to Mauri McIntira, president of the TV Academy and the Executive Director and received thumbs.

“Maybe I sprayed some ideas for TV academy while sitting with her network partners and starts to turn out all that this new contract would look like,” says Schneider says.

(Picture: “Shipped”)

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