Aziz Ansari is a high concept designer

He didn’t mean a joke when Hollywood studio threw Nicolas Cage as an Angel who risks wings to save Meg Ryan, mortal with dark thoughts and great hair. But Aziz Ansari must smile when he chose Keanu Reeves To play a similar character, the angel named Gabriel who transferred his duties with the “lost soul,” in his position to direct debut, “Happiness. “It’s a fun idea, if the Gen-Z audience is to know the” city of angels “, late –90’s remake on” wings of desire “or even earlier trading places John Landis Classic”. ”

In what is something ironic, but mostly honest honest in studio films with a high concept late-20. A century (especially comedy for erasing the body), Ansari players ARJ, a GIG co-worker with understandably annoyed views of life in Los Angeles. Starting orders for rich people on a task, barely earns enough to eat and lacking confidence to flirt with Elena (Keka Palmer), a huge idealist associate in the second job.

The ARJ is wondering why he went to college as he spends most night sleeping in his rhythmoon car, which eventually drags too unpaid parking tickets. For Gabriel, ARJs many humiliating are given to someone bad needed by His help. And besides, Gabriel’s bored of his low ranking angels, which represent the stopping Angelenes from sending messages and driving (he does not only realize how much life saves).

Training of La Angels, Gabri’s boss warns it not so bright – Reeves playing a character “Bill and Teds”, when the ARJ is not thrilled with short visions about what his life has in the store, Gabriel It allows him to temporarily trade in places with Jeff (Seth Rogen), a rich Tech bro has met a few days earlier a few days earlier.

There is only one problem: ARJ does not want to go back. Would you, if you offered a choice between scraping (like so barely these days) and plan parties from the private sauna of your Hollywood Brda Mansion?

It is funny that Gabriel did not predict this problem – that the ARJ may not agree “how much a superficial life of wealth and success really” – and funnier still when you see Gabriel’s incredible expressions. There is no doubt that Reeves, who listed self-conscious law in everything, from “Toys of Toys 4” to “always be my might” late, is this film MVP. The safest sign of intelligence for good-sports stars whether his willingness is to be well, it can play “Dum-Dum”.

Ansari realizes that the whole thing Angela was the Corner when Varren Beatti and “Michael”, as a “good luck”, “good luck”, “good luck”, “good luck”, “good luck”, “Good luck”, “good luck”, “good luck”, “good” jugglerism, “good liquid”, “” Snronununar “,” “Snow,” Sne Cruturing Husens, as seen from the perspective of those Juggling fever. just to meet extremely. The comedian may not be this generation Frank Capra, but it is still nice to see the glorious person who reviews what the usual people pass and use his platform to address the newly relevant “a la Cheech Marin” born in East La “).

Rules on how Arj and Jeff change the places and what it will take for a moving target in “good fortune”, which gives the Scrooge Ebenezer Scroose by how to be a better billionaire by working to work on its food delivery application. But after you joke that ARJ somehow likes to be rich, Ansari’s scenario, who organizes love interest, who is a slight-riding Mishap Gabriel in some way in which it should not prevent in the thumb.

The film has a strange mixture of acting styles, from the corresponding performance of Rogen (his character was privileged, and then it was relevant while forced to break into his home) to Ansari’s strange self-conscious character, which is uneasily on the camera, which is rich or poor. And then Reeves “confusedly stiff, which starts relax after he fired from Angela and forced to get the work for washing the courts on earth.

Gabriel reveals small things other people take for granted – namely, cigarettes, dancing and “chicken torches” – but it’s a street tacos, you’ll miss the wing. Although it is quite obvious where “good luck” leads, Ansari manages to surprise how he gets there. Like his character, it seems that the writer-director-producer-star juggles one way too much jobs, and yet it is a connection with excessive evening, uncomfortable Americans who asks his film so right for this moment.