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Nikon presented his first cinema camera developed in cooperation with IT gained last yearOrder. The Nikon Zr (“R” is for “red” and imagine) the camera that no company could make its own, he was married with color science and video codecs with Nikon’s advanced object that reveals AF and in body stabilization. This will be increased against other models oriented to creators New Canon’s C50 and the Sony FX3 But at a much lower price.
Nikon mirrors without mirrors are known for its high dynamic range, and the company leans in it for ZR. It has a partially complex 24MP ISO dual base of 800/6400 that promises 15+ stops of a dynamic range for high sensitivity to low light and larger details in shadows and emphasis. Although not matched with 7K resolution C50, it will be performed 12K 6K Videos RAIL at 60 FPS, or 4K to 120 fps.
The internal used RAV format will be a red new R3D not a log format called the diary of the same color as the red-end cinema cameras (so that they can match those in the post). It is a codec lighter designed exclusively for Nikon, but ZR also supports Nikon N-RAV format together with prores / prores rav and H.265. If you want to inflict red holy, you can load and follow up to 10 at the same time.
Nikon also focused on audio, offering 32-bit floating internal audio shot and Nokia Ozo surround sound tech via three built-in micro-performance micro-performance MICS. You can choose between five download forms, including front (super-directional), front, all instructions, rear and stereo for any situation from the interview to Vloggight on the ASMR.
ZR comes with a subject to monitor automatic phase focus, which makes it more delicious creators of content than any red camera that has ever existed. This includes AI monitoring people (eyes, heads and bodies) together with animals and vehicles, with a total of nine types. There are also five axles in stabilizing in the body with 7.5 stoppingsters, which is something insufficient in the new C50. Another key feature is digital focusing compensation.
Since ZR has no viewfinder, Nikon was made as large, bright and sharper. It is a 4-inch 16:10 screen with 1,000 nits of brightness and complete color coverage DCI-P3 HDR, with 3070K spokes of resolution, one highest of any camera view. Meanwhile, TINI 540 gram (1.2 kilograms) of the body sufficiently heat heat well enough to allow 6K 60 FPS raw recording up to 125 minutes at 25C temperatures (77F). Supports audio capture through digital hot dogs or 3.5 mm input and has a USB-C port for charging, data transfer, and webcams / streaming, along with headphones. The HDMI port is unfortunately, however, the small and Flimpy micro HDMI type, however.
For its options, Nikon ZR looks like stunning negotiations. That Starts out of $ 2,200 For the body only without additives, which is almost half of the price Sony FX3 and 1,700 dollars cheaper than Canon C50. The delivery is expected to begin 20. October 2025. years. Supports any Nikon (or third parties) with mountain lenses or f glass windows with adapter. Nikon also presented $ 339 ME-D10 Digital Shotgun Mike It is compatible with 32-bit camera cameras.
