‘Boy’ Reality TV Star Shun Nakanishi Interview on ‘Rewind’

Shun Nakanishi dropped his solo debit on digital platforms on the digital platform. The trail indicates the solo Debate of the Music Producer and the DJ that gained attention to his appearance globally Netflix Romantic reality reality Boy. “Rewinding” is a song about a heart that explores the topics of loss, regret and emotions that lie away from “what if.”

Nakanishi, who also releases music under the biting of Moniker, talked Billboard Japan about his career motivations as a solo artist. He developed a story shown in his debuting, as well as his music roots and the vision of an artist who wants to be in this interview, which is essentially entering its creativity.

How was the answer to your appearance in Boywas published worldwide last year in July?

It was amazing. I went to Thailand a week ago, and people approached me more than they do in Japan. I realized everyone knows me. Although it’s a little scary.

Is that scary?

I can’t believe that everyone recognizes my face. I wanted to live privately. (Laughter)

You let the ballad called “Last Person” as Daishun (with Dai Nakai, Boy Costarian and now IRL partner) in January. How would you describe that?

That song was the first time I wrote about my feelings for Daiy. I think the texts turn out well because I could choose the words that I was right. But at first I was reluctant to sing.

Why was that?

I didn’t like my voice. I tried to film the voice on karaoke at the point of a long time ago, but I didn’t like how it sounded. So I stopped singing and just focused on making music, but I started thinking I could get to more people singing as a contractor.

How did you feel when you actually sing and layered your voice with DAY?

I still don’t like my voice, so I have to practice more so I can go through people. But I really like the texts and I could be happy to sing. I’m glad I tried him. The Lyrics of these songs are about being overdeals regardless of all, and each word is important. In fact, there are still some things I want to say, so I currently work on solo version.

Really?

Yes. I’m working on it right now. I want it to be a reply track, like “last person 2” I’m planning to sing independently like Shuun Nakanishi.

I can’t wait to hear that. As you just mentioned, you started your career as a solo artist. Do you think this new tressor is separate from your work under Glitch Manicur?

Yes, I’m thinking about going in the direction of combining electronic music and things that are not actually in the reflector with Pop. The haze haze is not pop music, so it is limited to a particular audience. But it sounds good and it’s good music and I want more people to listen to him. That’s why Shun Nakanishi will be like fusion shortages and Popala. It’s something I can’t do like Daishun, so I decided to do it myself.

What artist do you want to be like Shuun Nakanish?

I love the movie results, so I want to create cinematographic music. Songs will be music and also be like movies. I want to create music that you can listen to as if watching a short movie, allowing you to concentrate on work. I want to catch them correctly. I want to create acts not related to trends or commercial success.

Tell us about your music roots. What artists affected you the most?

(J-Pop Superstar) Hikaru Utada I (Norwegian DJ) Cashmere Cat. Utada has also been a real cinematographic songs with piano and violin lately. I really influenced me that two. But I also like American Pop music like Taylor Swift and Rihann, and when I sing Karaoke, I often sing the ballads like AIs “Yuki Nokashimi” and Mika Nakashimi “and Mika Nakashimi” and Mika Nakashimi “.

What song did you like to make for your debut?

I greased because of my debil song. Because it goes without saying that it will be my debit song for the rest of my life. (Laughter) But I told myself, “It’s not my debut,” and decided on this one.

How did the “rewind” come?

It was originally a song I made for a misty mistake. It starts with a piano introduction, and then switches to Trance Beat immediately. I was thinking of doing it instrumental, but then I thought it could be good with vocals, so I tried it.

It drains like a piano ballad.

Yes, I really like the piano. But since it was my debut, I was really torn. Should I make it more in charge? Or just going with my style? In the end I think I went to something in between. But while I wrote it, I believed that would definitely be people who would like this song. Also, I love songs that change a lot throughout, because it is cinematographic.

What did she mean in the texts?

I wanted to make Shun Shun Nakanishi Steme Sopeup Song.

Why a song about an interruption? The people who discovered you via Daishna would worry when they hear that.

The breaking songs really resonate for me. I love such subjects. I’m not really in happy songs. I prefer the text that tells about the loss of something or are dark. “You” in this song is dead. This song tells that strong sense of loss, because the luxuries mean that the person is dead.

So that’s a dive.

Yes. It’s about feeling like a person died after she lost them. When you are young, love hurts so much. It feels like it’s forever. It may not seem like a great deal of another person’s perspective, but you feel a huge sense of loss. I remember brandy in the early twenties, but I guess everyone feel different. It’s complicated. I understand clearly, but …

By the way, what kind of short film did you have in mind for that?

Introduction is a scene where someone weeps as he looked at the sky on the roof. It’s a little hard, but in the beginning they fight, and then another person turns off. Then hit him the truck and dies. It is a representation of the main character of the witness everything. “Aqai toiki Gadarete” (red breath in a mess) means he’s dead. Their time flashes together at that moment, but there is no return even if it wants to be able to. It’s a song about regressing.

You have so alive with live image and a story in your mind. What is the meaning behind the title?

It is about the desire that there is a switch to turn back time. The crash of Hora expresses the button that the main hero, and pressed it. The fall is meant to be switched to the imaginary scene. Brings memories of good times. It’s a rewind button.

How did vocal shoot go? You mentioned you don’t like your own voice.

I first sang the whole song I was, so it was hard, as it was expected. But I’m starting to love my voice more. I exercise, and now I just have to get more confidence.

I would love to hear you do some quiet electrical electros with whispering vocals.

It’s hard, you know? Should I try to regret what people want to hear or try to express again? But I don’t expect everyone to listen to my first song, so I hope it will be at least one on the album that will love everyone.

And you work on the album?

I plan to release one month every month, and I hope I hope the album in February next year. I hope people will regularly hear my songs.

Tell us about your future goals like a solo artist Shun Nakanishi.

My goal is to reach the number one in graphs for billboards! I want to target the upper place on global cards. And I would also like to try to do anime songs too. I have been watching a lot of anime at Netflix lately. While watching plays as Summer Hikaru died and Tacopi Original sinI imagine it would be amazing to present my own song there. So I hope one day I will sing opening or end of the themed song for anime series.

And finally, do you have a message for your fans around the world?

I currently travel around the world for fan meetings, and I think it would be great if I could go to the world tour as a solo artist. Also, more people become fans of Japanese songs thanks to anime, so I hope to create a new J-pop and divide it with everyone.

–This interview atsuo Nagahori first appeared on Billboard Japan