Brian Fuller on how he switched from the TV to the director of films

Brian Fuller They made a career creating an idiosyncratic series like “pushing daisies” and “Hannibal“” And she wrote a lot more. He now reads his feature film debut, which is set to this year’s Toronto International Film Festival.

“Dust“Who has its world premiere on TIFF as part of the midnight madness as aurora, a young girl who ran a gigantic, magical and a bunk-bunk line. He then hires Hitman to take care of the problem.

Fuller says the story began as one of the possible episodes of 2020. Apple TV + series “incredible stories”, based on Steven Spielberg-created Anthological emissions from the 80s.

“In a way, it’s Spielberg, honor towards traumatic childhood films in the 80s, like” Poltergeist “and, especially” Gremcjene “, says”. “He imagined and designed to be a” incredible story “. It was a lot of stories that we’ve developed that it was like it was like it was like,” I know it as if it were a great movie.

Since Fuller was a busy TV writer, Creator and Shovrunner, because he wrote “Star Trek: Deep Space Nine” in 1997. years, he rarely thought about direction.

“He usually consumed me a lot of rewriting, so it wasn’t much time for direct,” he says. “I’m professional and compliant. If I was able to rewrite as a showman, so I could have been to me, so I was really a big fan. It was a little catastrophe. I was like it couldn’t be again repeated. I have to direct. “”

Fuller says his favorite portion of directing brought a film into reality with Sloan, her young star.

“My favorite days worked with Sophie Sloan, who had so much experience with movies as – who wasn’t,” he says. “With Sophie, we found it together, in a way that you usually don’t filmed the dates, find the cords about playful. It’s something about that it was a 10-year-old guidance. It’s something about that it was 10-year-old lead. It’s something about it’s something about the creation of the environment. It’s something about it’s a 10-year-old guidance. It’s something about that it was for a child who was healthy and in a way that was healthy and safe. blast. “

Although the film was a different medium for fuller, he brought visual radiates and love for color that often permeates his projects. He says he had a unique common language for discussing the colors of “dust” with his cinematographer, Nicole Hirsch Whitomar.

“Our first conversations were in a relationship with my previous work,” Fuller says. “If the” pushing daisy “is very sweet and” Hannibal “is very salty in terms of color and lighting, it must be a mango and sweet and we have a really dynamic taste profile. So we talked a lot about tastes.”

Ultimately, despite several frightening scenes, the fuller is the perfect passage horror for families to watch together, as so many ’80 -i’s babies hooked in a genre thanks to their loved ones “gremjljima”.

Watch the trailer “Dust Bunny” below.