Great pop stars, but too much a legacy

Eternal dissonance of MTV video music allegedly celebrations form no longer actively promoted to a brand channel, long made it to show a tricky tigtrop. It led to a lot of confusion in the category of nomenclature, of course – with nouns disappearing from categories like “best hip-hop” and artists who are now accepting the awards such as “song of the summer” and “best album” that are completely divorced from music video format. But much bigger concern for Vmasi From what the rewards should be given in 2025. years, are that first place in the first place: Channel’s life audience, or millennia who actually remember when music video for MTV remained a culture.

It is a question whose MMA response is a year trying to separate the difference between, usually with some balance of veteran and new performers, mostly weighted towards the latter. Several times in recent years, birthdays even gave some embodied excuses to restart, over 40. Anniversary of the Channels (2021) and the Military Board, and the Hip-HOP anniversaries, and even took that they occasionally took over by and performance from Peray and Performances. A little too hard, but they felt in a timely manner and mostly they felt like they were overwhelmed with newer artists who would, allegedly, allegedly, holding enough relevant to ever fully turn into it.

And that made 2025 miles so frustrating. These modern artists were there on Sunday night (7. September), and basically completely – Superstars already made their share in the history of the Military Medical VMA and the growing Hitmakers who have already been willing to be in the future. And yet, it could be easy to lose track with all the careful and time and screen given in legacy artists, often without special Pegs) to their performances and agreed in the first two hours of emissions. It felt like a missed opportunity to indeed show the present and future and finally let the past a little posterior.

Because it was an opportunity there. What felt as a greater concentration of the list name compared to many recent years, awards appeared; Whenever you have a dose cat to do a robot dance break with tatteromatics on stage, while Lady Gaga and Ariana Grande Boogie together in the audience to start the show, go to the right foot. Taylor Swift was missing this year, and her world coating was safely striking in his absence, but the stars like Doja, at least as Gaga had to book for his evenings at Madison Square Barriers. “Abracadabra” and “dead dance.” (Obvious emotion of Gaga and Grande shown in their speeches should also be considered a win for MTV, because they put them such a clear stock in real rewards is not to be taken for granted 2025. Years)

The more importantly, however, it was a great chance that MTV really puts some of the leading leading lights of the top 40 front and center. Tate MCrae – who with its dance stretches of the professional level, wanted a feeling of engineering and design and obvious respect Trl-e MegaPop, it was absolutely born to play VMAS’s – whether the apparent confection was a slimged performer and she lived every expectation with their scintillating set two songs. Sabrina’s carpenter, who has already dominated the Bath phase a year ago, made two-for two with this year’s “tears”, ending its performance with too few her spare dancers who hold signs with conditions. And just below the levels of the slums, the newer Hitmakers SOMBR and Conan Gray corrected with its own wisely presented, exciting delivered performances on their career deadlines and continue to push their swing in the right direction.

We hope that the fans watched MTV (or CBS, and for the first time preached VMAS broadcasting for the first time) caught all that. But they may have been very well missed a couple between three long-lasting, multi-songs Medleis – complete and with the introduction and acceptance of speech – delivered in the first two hours of shows.

None of them were bad, nor is it completely undesirable. Certainly, Mariah Carei won a nice moment for a nice moment – especially given career 0-fair in the WMA before, which she understood a false-salty joke for his acceptance of acceptance. But while Ricki Martin has a fuel legacy and always gives it a high energy show, did we have to deliver it in the Latin icon with a fifth song barely 20 minutes in the show? Or Busta Rhimes, accepting the bell ringtone of the Vizionirian award with her own slow-songs, but significantly overlapping with similar performance given in the WMA Only four years earlier?

Just whether any of them would be fine. With three in the first 90 minutes show, we have already had a more song Ozzi Osbourne to arrive, although it felt in a timely manner after the passage of Osbourne, which recently led to a new level of exposure to black Saturday. Meanwhile, since the Military and Hip-hop in Latin Pop and Hip-Hopa were paid, which presented Martin, as Hip-Hop, while Hip-HOP, otherwise he has submitted his hand-like “, while Hip-Hop’s” broken “Hip-Hop-ori”.

And the amount of attention given to these legacy medical conditions are inexplicable dwarfs some of the most modern pop performers. You would think the show is boasted on the first Sabrina Carpenter Live Performance Man’s best friend The Era – who presented a little host of vaccinated PEs, appeared after standing out, just became album no. 1 In the country – he would do everything in his power to put it and her, front and center. Instead, he received a minimal hyper in the first hour of the show, and then started directly from the commercial break, without any guides or introduction. The carpenter could and be one of the stars Markeee for all in the next decade, and one of the few units of pop stars at this moment whose presence could put a great stage in the star-Power in which Star-Power Deoda remained in fast and fewer years. If MTV gave half the screen and attention as his other Busta Rhimes in Mega-Mega-Mega-Mega-Medley’s careers were stupid in five years.

But it returns to the question of who are currently awarded for video music, especially now when they are also broadcast on CBS with five-time-grammatical hosts LL COOL J as a master of ceremony. If they think the children are unlikely to have anyone but their very favorites – and may only be capturing clips or tiktok – maybe it makes sense to give courtesy of that older market. But as Millennians, I believe that I am in my generation (or even Gene X’ers ​​in front of you) who still want to see the actual artists who remind us of our WMA-WE’S WANTS: We want to see the artists that I can see Create new moments It reminds us of our MMA youth watches. And if MTV will not put more emphasis on those new stars in one night, it still intrudes music, it will run out of viewers of any age that have anything left to have a long time ago.