Maybe it’s still the most healthy

“Wake up a dead man: Knives from mystery“Is it completely smart and droll, almost a scattered piece of killing-mystery entertainment, which lives in expectations six years ago” knives “, who offered their perfect revival of Agatha Christie Christie, with delicious freezing meters. “Glass onion: the princes of mystery” She was just smart, but like a lot of continuing iconic hits, she ripped home home home home home home home home home home that eventually made a little too hard. It was still good but not as Good.

“Wake the dead man” gives us the best of both worlds. And it was trying something big of the first “knives”. But this one is more rooted and organic of “glass port”, and returns us to the ingenuity of the first films in the fireplace. These are movies that use their elementary importance to get us in contact with our wide internal child. They are uniformIn what is happening – next? The way, although it is part of the reason to “wake a dead man” makes it difficult than “Glass Luke” is that the film is so fully acting on the human level.

It was placed in the small city community in Upstracija New York, where long hair and bearded Monsigner Jefferson Vicks (Josh Brolin) is a modern version of the fire and unjetious cult leader, preaching anger in the form of piety. The first part of the film is dedicated to lead us in his local empire of a distorted belief, which scanned the right handed. But as soon as he ends dead, this is just the setting of the film, not a fatal spoiler), his half of the tenths or so many cores are becoming suspects. And the film turns into a thawed layered and for a moment almost philosophical head.

“An awooling dead man” is suddenly a winked allegory of our political age, with monsinlorn vikima as a symbolic trump figure and his followers as they committed truly believers; A film that draws authors from John Dickson Carra to GK Chesterton to play with a minute logistics murders; Mismatched light discussion on rationality issues in relation to religion and faith in hatred; And “Scoobi doo” – Ne-steroid mystery that knows, in every step, to play with you.

Director of writers, Ryan JohnsonWho would you have a movies of sastining the viability of sastining the viability of sastining the viability the “knives out” Films for Netflix, comes up with an inspired way to frame the movie by casting josh o’connor, with his eager grin and Curly-Haired Ingenuous Charisma, As The Rev. Jud Duplenticy, a young Priest from Albany Who’s Assigned to Wicks’ Parish After He Makes The Mistake Of Hit Đakon. Jud is a former boxer who killed someone in the ring. That is why he became a man of cloth – his whole life has become a rest time. O’Connor is a kind of cunning actor who can play someone who is done by Jesus, but you also see skeptical biting a child who lives and see a skeptical child who lives and skeptical spasms of a child.

Jud wants to do right and be good, but when he arrives at his Lady Mercy, which was a corrupt church of the submerged church. Johnson has shifted first of many beautiful throttled curves by pushing us in crazy saga of these churches, with their community of bitterly petty eganes: the SCOTT SCOTT (Andrew scott) (Jeremi Renner); a former disabled (Cailee Spaen); a firm washington (Kerri Washington) who had to raise An illegitimate son of her husband; and that grown son, the Church-Backstory is a delicious story about sin and penalties, “whore” Harlot whore “who tore a place after her heritage was destroyed by her heredity.

The first sign that something serious with Vilkova when he asks Judas to take recognition and consists of a vilx story on how often it is often masturbated in the last month. It attacks deliberately funny and hyperbolic note, but Josh Brolin does not allow you to write this character as a joke. He is a threat from the team from the Kasol that has its own herd under the magic. He was killed in a way that is fascinating, because it is “impossible murder”. At the peak of his good Friday, he sounds more like a bad Friday), he enters the closet only on the side of the church shrine and cheers the floor to the floor, his body broke through a knife with a knife covered with a knife. How could that happen? Everything took place in 30 seconds, in front of the community, and no one was in the closet with him.

That, of course, catch Benoit Blanc to solve it, and if Daniel CraigThe character in the previous film was surprised to surprise the right of surprise, she returns on the way that almost defiantly low is crucial in his southern Gothic quizzes. Craig, this time, he gives what I would call his richest Benoit Blanc Performance. Blanc tries to compose a puzzle, but half the pieces are rooted in human desk that people express them to do dastorn things. And Blanc tries to solve what happened to seeing a large image, adjusting in ghosts that lead things and their damping on the audience. Through the film, she got rid of religion, holding rationality as the only real faith. However, Blank’s real faith lies in almost mystical quality involved in looking what the human animal will do. His level of perception of Sherlock Holmes relies on the same cosmic empathy that O’Connor Juds that strives as a Christian ideal. That’s why these two can meet in the middle.

“Wake up the dead man” takes a form of a friend of a friend in which Blanc and Judish team would solve the crime. The script, which Johnson wrote, is flawless fusion of intrigue and confession. It is always finding new ways to surprise us, take us to the internal characters we initially thought that types were guys – like Glenn Close’s Martha, lady of Veterans Church. And the way the film gathers guilty topics, greed and God makes it true dramatic balancing balancing. It opens the prospects of the characters resurrected, like Jesus. Ryan Johnson is just having fun, but he also sneaks the wired level of spiritual examination in this edge mysterious thriller. I’m not sure if it will even be able to take place the maximum, because “the dead man” will “most steak” knives “film.