Chris Evans, Ania Taylor-Joi on the victim of Tiff Satire ‘

Chris Evans and Ania Taylor-Joi Started the most days by shooting your new movie “Sacrifice“Start on the side of Volcan in Santorini, Greece.

“You’re just looking in the world of magnificence,” Evans says panoramic views. “It’s easy to lose, as you would if you wouldn’t be a movie crew that catches every move.”

But, of course, Evans and Taylor-Joy were not just there to admire the landscapes. “Victim”, directed by Romain Gavras (“Athena”) from the script co-written with Arbera (“Succession”), is a foul of celebrity, wealth and radicalism. In it, Evans plays a movie star experience an existential crisis when Taylor-Joi Cult leader was sacrificed to fulfill the prophecy to stop the volcano that Volcano had erupted. It’s a premise on Van-bold, originally and, to borrow the time of Taylor-Joi, a little “wandering” – who left the actor, who was dealing with the anxiety of climate change, thinking about her fears on the planet.

“I became a real bow at parties,” Taylor-Joi says. “And the scenario arrived and I realized, like”, that’s what you do with great feelings. You are leaving and are you art about it. “Although it may not change the outcome of what is bothering you, allows you to free your release.”

Taylor-Joi says film – shot over 10 weeks in the bowels of caves and caves in Greece and Bulgaria, as well as on the wounded mentioned volcanoes – they had facilitated some of their troubles. “He put me on a better place. Spend it all that time outdoors gives me a lot of peace, to be around the scenery that has been there for a long time and that it will be for a long time for me and that it will be a long time.”

Evans and Taylor-joy did not know each other well before filming the film, which prime ministers at the Toronto Film Festival. September met at the party, where they played the game lead game. (“He shit seriously, which, as Ories, connected,” Taylor-Joi says with laughter. “I am a huge fan of games.” The victims “, they covered Hollywood events in Hollywood events to Hollywood events in Hollywood events. Evans thought, “There may be a little more than the fact that we follow tracks to cross it; maybe it’s destiny.”

The actors quickly signed on the star and executive products project – independent production from iconoclass, in mid-March, film 4 and heretics – work with film registry producers to specify the story, where destiny is – or rather, faith.

Evans, whose filmography is packaged with superhero films, was eager, not anxious, to take the role that approached home. “What was apparious with me that he was not an actor who would not be used by his industry,” Evans says to be a shareholder that playing action. “He was an actor who, in value on his face, was really good. But something unexpected – his father died,” his sense of stability in noodent and suddenly became unrecognizable to himself. ” It is Joan Joan – a fierce radical leader who works with children’s faith – who rss it. “Second that comes to fall, he felt like Joan was the allegorical representation of Mike’s soul. When your soul breaks through the noise to save you. It is enchanted.”

It is a deep story wrapped in a visually explosive pop packaging. The action takes place due to Gala’s Star at the environment summit hosted by the pragmatically cool billionaire and his glamorous wife (Salma Hayek Pinault). The rounding of the ensemble was Richardson himself as Mike agent, John Malkovic, Joan’s father, Plus Charlie XCKS and the Ambi, who perform climate change of Anthem and “Daughter Nature” and “daughter”, which is a radical group ” “Daughter” “,” Natural Nature “,” Nature Nature “.

“There is also a drama and comedy and comedy in every scene, which is quite reflective about life,” says Evans to walk in line between allegories and absurdities.

The actor sees “victim” as a Rorschach test, with its complex topics that reveal more about the psychic audience from the intention of a movie model. “It’s the beauty of it. It’s one of those films I hope people take away different meanings,” he says. In the mind of Evans, it is an allegory of the death of the ego.

“The volcano is a transformation,” he says. “Surrender. It’s peace. Freedom is. He realizes that true liberation does not come from money or strength or even control; it comes from playing things we think defining us.”

Like Taylor-Joi, Evans felt changed after shooting. “Sometimes you make movies that really talk to your soul,” he says. (“And sometimes you don’t know,” he found his thought.) But “the victim” was exceptional: “We have to deal with this project that actually sought a lot of us every day, and it finished production that I deeply, deeply filmed.”