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Eladio Carrion It is not a foreigner for misdemeanor, and his explosive taking over Brooklyn’s Barclays center once again proved to work on a completely new level. In just two years, born American, Puerto Rican rapper raised his career to perform in intimate spaces like Theater in Madison Square Garden Stuck the territory of the arena at the Legendary Center Barclaim.
His arrival in Brooklin is only a week after starting his World Tour, NC, in Charlotte, the NC was born in Kansas, an artist of the city who was born in the town of Kansas, the artist of the city, illuminated Don KBRNIncluding favors like “Inventible”, “Ohton”, “Wind”, “Care” and “Broles”. He also performed songs from his albums Sol Maria (2024), 3Men2 KBRN (2023), SEN2KBRN Vol. 2 (2022), SOS BOIZ 2 (2021) and its 2024 ep Because I can. (See full Here set.)
During two hours, Latin’s trap star delivered a stove full of visual visual visuals and inspired guest surprises – including young Miko, a rich child and lower do Ign Ign and undisputed energy.
Then the Hitmaker SOS Boiz would bring its electrification of cities like Chicago (7. September), with stop in Houston, Texas (September 17), in Los Angeles, concluding American leg in Los Angeles, and that in Youtube’s theater YouTube at YouTio took his international tour in YouTio. The main world cities like Bogota, Santiago de Chile, Buenos Aires and Mexico City.
Here are five separations from Don Krn Star World Play Office in Barclays Center.
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Japanese yakuza-style aesthetics
In the right as the show was started, the audience was visually inspired by Japanese Yakuza, the infamous union of organized crime, evaporated with the general samural discipline in the courtesy of four music. Bright neon visual visuals, traditional Japanese architecture and text stylized in Japanese characters have shed lighting massive LEDs. Carrion has embodied the Estate, which hit the performance in an elegant black suit decorated with an intricate silk connection – and the dragon entered over the back of his jacket. The thematic cohesion shown in his appearance extends in his last album Don KBRNcompletely fired in Japan.
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Star Power Galore
Surprises went through all night, but special guests have led an indisputable “wow” factor in the show. Puertorical stars J Quiles and Lenny Tavarez joined Carrion Onstage for amppe-up co-operation, while the richs of the wealthy child and you Dolla $ Ign had a hip with a “Carnival” performance. Later, young Mico did his great entrance to perform without the effort of “AMG” next to Carrion – and even treated fans to his “Vassup” hit.
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Samurai Moves & Breakdance
Four Japanese spare dancers were a big peak of the show, in which he strengthened the fierce spirit of Yakuz in smooth suits, while he presented an amazing athlete. From a stylish choreography of inspired fighting for calming cales and back, their strengths and dynamic moves enchanted the crowd every time they appeared, adding an exciting layer in Carrion performance.
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Retro-futuristic vibrations
While the Japanese aesthetics defined a large part of the show, in the visual visual visual visual visual visual visual energy there was I2K. From Matrix-Indrawn Neon Code Sached by Massible Screens on the traces of old school windows that appear, these nostalgic nodes added another layer depth to experience. In order to not mention, dazzling (and sometimes dizzy) light effects – straight from the SCI-Fi world like the fifth element – the amplifier is a futuristic vibration, making the emission worthy audioving experience.
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Fan engagement
Eladio Carrion took the moments throughout the night to connect directly to the crowd, thanks to them for support and reminding his journey from his debut album, SOS BOIZ (2020). At one point, he even gave his parents, who were present, including his mom, Sol Mary, who inspired his 2024 album of the same name.
At the end of the show, ELADIO paused to reflect on modern concert culture, looking for fans to put their phones and at the moment they had completely immersed. To drive the point home, “Eladio Carrion: BZRP Music Session, Vol. 40” twice – once with phones and once with a clean engagement of crowds. Energy during the version without the phone was incompared, with a bunch jumping, raises arms and moshing in a way that felt like a nostalgic return to concert days before smartphones.
