Lesley Manville goes to Poland in the “winter crow” winter crow “

Lesley Manville Travel until 1981. Poland in Adamik Kasia‘S “Winter crow. ”

Premier to TIFF and Then close San SebastianIt is based on the winners of Nobel and Rewards for Handball Awards Olga Tokarcuk’s short story about the British professor, which is found in the middle of unrest caused by the introduction of deadlines. The clip debit here:

https://www.youtube.com/vatch? v = 5L6HFO4LKVC

“I was young, but I remember these events in Poland. It’s going to surrender there, and she’s about to imagine anything in this type of political chaos in a country, you are thrown into this type of political chaos in a country.

Soon, Joan ends on the run with young radicals.

“I would be horrified if I appear professionally engaged and was treated by Joanna. He thinks he will be treated at a beautiful hotel. There is some humor in it. There are some humor in her places. There are some humor in her places.

With the whole country, she has turned effectively, can’t escape. The testimony of terrible crimes, she “sucks in the cause,” said the actor, Joined Zofia Vichłacz, Andrzej Konopka, Sascha Lei and Tom Burke.

“It ends that he wants to help and return the photographic evidence about what’s going on. Joan is not carefree, but she leads a life that is about her right.

Manville, Oscar-nominated for “phantom thread” – is “an actor looking for something different,” she says. She recently turned her head with her turn in the port of Guadagnino ‘”Queer” as a doctor who lives positively in the middle of the jungle.

“I’ve never been an actor.” I want to play characters that doesn’t look like me. ‘Queer’ was extreme, but whom he was joyful to work with Lucac and Daniel Craig. When I appear there, it becomes another movie. They come into strange existence. It is the same as it will be what it will do and that it will be that huge part of Polish history. “Will that be that this huge part of Polish history will be done.” Whether it will be at that night and then it is entered. “

Through his Career Manville, he earned Ravers for his cooperation with Mike Leigh, dating back to “adults” in 1980. years, but it does not bring his method of work – without scripting, improvisation, developing the background of detailed signs.

“I would never do that to all these movie giants like Luca Guadagnino, Paul Cohen, who I’m currently working (on” Mike Leigh love this, so … it would be an offense. But that would be an offense.

“When I have a scenario, it’s my folder, and that’s what I have to honor my work so I’m carefully choosing my work so I’m carefully choosing my work so I always be a rich time. Working with Cassia.”

Prieting from Olga Chidas, Stanisłav Dziedzic, Catarza Ozga, Nicolas Stein and Samantha Taylor, “Winter of the Crow” sells Hanway Films.

Despite reference to an important moment in Polish history, Kasia Adamik wanted to keep things universally and slightly elevated, in 1947 “strange man”, where the wounded man escaped and “His feverish state distorts the world.” But still added Blink-I-I-Vi-will – SS-IT more, including the pickup of the photographer Chris Niedenthal, known for documenting the communist period in the country.

“It will only be prescribed by the Polish audience, but it is great to have these icons of the ‘apocalypse in the streets, a girl who wants to watch cartoons in the morning, but (political leader) is on TV, and it has actually happened to me and it was very upset.” She was only nine years old when the drap was declared a martial arts.

“Many of my co-workers, especially Polish, wanted to be as close as possible. It was very subjective. It is not a real story about someone who really lived through it. Instead, the story of an outsider. Which does not understand adamik well.

“I didn’t raise in Poland in Poland at the time. I was raised in France, and then I lived in LA, it gives me more freedom, because I’m not worried about me.” I’m not a slave. ” Adamik is a daughter of director Veterans Agnieszka Holland, Ekec produces a film and also referring to TIFF with “Franz”.

In Tokarczuko’s story, transformed in Sandra Buchta scenario, Adamik and Lucinda Cocon “, not understanding the rules ask things in question and not question things at the same time.”

“It was so sharp, the fact that it was right and this moment was seen from the point of view of someone who was forgotten the political situation and that he was not interested – as very relevant today,” says Adamik.

Research between the differences between east and west, it included Joan in the Totalitarian Nightmare. “I wanted to show it to people who have never experienced it. Not like something to think about. What does the totalitarian country look like? You live in the Kafkaeski world and rules, even if there are really rules.”

Manville’s participation and the name of Tokarczuka helped the development of the film that described Adamik as “Antie Cold War Ne-thriller”.

“I noticed that people did not have any idea what happened in Poland at the time. Another difficulty is the fact that we do not understand what Joan does not understand. She lost in it.

“She’s the beast. With just one look, he can make things almost comedians. Olga tokarczuk also has this ease towards her. Even when he talks about difficulties, he is absurd humor in it.

But Joan finally ends caring at the end, underlines Manville.

“You think this woman will not be to penetrate any emotion. He won’t be moved. And then she is. Joan realizes it’s a big deal that is a big deal for people.

He adds: “We live in such extremely brutal times. When you are opposed to the existence in post-war Poland with today’s situations, it is shocking to how little we have left. It really resonates what is still happening.”